犹太人的阿罗哈

S. Smith
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引用次数: 0

摘要

1953年,65岁的斯坦纳得知华纳兄弟不会与他续约。在做了16年的特约作曲家后,他被迫成为自由职业者——考虑到他的年龄和视力下降,这是一个特别艰巨的挑战。这一章关注的是一个骄傲但日益衰弱的人的困境,他被迫在一个痴迷于年轻和新奇的行业中重塑自我。仍然债台高筑的斯坦纳在多个领域寻求新的开始:他创办了自己的出版公司(失败了),又一次尝试为一部大电影(《凯恩兵变》;奥斯卡最佳配乐提名,但没有热门唱片,这让它的制作人感到疏远)。幸运的是,杰克·华纳愿意以每部电影的形式把斯坦纳请回他的工作室。最终的分数掩盖了斯坦纳的年龄,在他的最后一部银幕杰作:约翰·福特的《搜索者》中达到顶峰。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Jewish Aloha
In 1953, at age 65, Steiner learned that Warner Bros. would not be renewing his contract. After 16 years as a staff composer, he was forced to freelance—an especially daunting challenge given his age and failing eyesight. This chapter focuses on the plight of a proud but increasingly debilitated man forced to reinvent himself, in an industry obsessed with youth and novelty. Still massively in debt, Steiner sought a fresh start in multiple ventures: his own publishing company (a flop) and another attempt at a hit song for a major film (The Caine Mutiny; Oscar nomination for score, but no hit record, alienating its makers). Fortunately, Jack Warner was willing to bring Steiner back to his studio on a per-film basis. The resulting scores belied Steiner’s age, culminating in his final screen masterwork: John Ford’s The Searchers.
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