{"title":"从伊斯兰艺术到感性文化","authors":"W. Shaw","doi":"10.1017/9781108622967.001","DOIUrl":null,"url":null,"abstract":"This understanding of the dependence of human creativity on the divine, the glory of the world and its material traps, meanders through Islamic discourses. This book weaves a theory from these paths: a theory of perception engaging with but not bound by art or history; a theory of Islam between theology and culture. A theory of an attitude that once was so natural that the need to describe it emerges only from an external space requiring translation. What we conceive as ‘ art ’ plays one part in this broader framework.","PeriodicalId":361065,"journal":{"name":"What is 'Islamic' Art?","volume":"80 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Islamic Art to Perceptual Culture\",\"authors\":\"W. Shaw\",\"doi\":\"10.1017/9781108622967.001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This understanding of the dependence of human creativity on the divine, the glory of the world and its material traps, meanders through Islamic discourses. This book weaves a theory from these paths: a theory of perception engaging with but not bound by art or history; a theory of Islam between theology and culture. A theory of an attitude that once was so natural that the need to describe it emerges only from an external space requiring translation. What we conceive as ‘ art ’ plays one part in this broader framework.\",\"PeriodicalId\":361065,\"journal\":{\"name\":\"What is 'Islamic' Art?\",\"volume\":\"80 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"What is 'Islamic' Art?\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/9781108622967.001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"What is 'Islamic' Art?","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9781108622967.001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This understanding of the dependence of human creativity on the divine, the glory of the world and its material traps, meanders through Islamic discourses. This book weaves a theory from these paths: a theory of perception engaging with but not bound by art or history; a theory of Islam between theology and culture. A theory of an attitude that once was so natural that the need to describe it emerges only from an external space requiring translation. What we conceive as ‘ art ’ plays one part in this broader framework.
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