B. S. Fretheim, Kathrine Fosshei
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摘要

新思想从何而来?本文以跨学科音乐与文学教学理念的经验为基础,以叙事探究的方式展开双民族志研究。从反思的角度,我们研究了我们对#生#死#爱作为一种表演教育实践的想法和想法,艺术性(Chemi, 2009),寻找“照亮课堂生活”的方法(Bresler, 2019)。本文提出的问题是,作为学术教育者,我们如何以及为什么不断地创造和寻找鼓励“扩展视野”的可能性(Bresler, 2018),以及“顿见”(Ellis, 2004)和理解的时刻如何从“任何生活方式”开始(Kim 2016)。因此,根茎思维(Deleuze & Guattari, 1980)可以很好地作为一个理论框架,使我们能够创造/遵循倾听、好奇、居住和抵抗的路径,并将思考作为一种从内部逃离的方式(Jackson & Mazzei, 2017)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
#livet#døden#kjærligheten – et narrativ av vevd og levd undervisningsliv
From where do new thoughts come? This duo-ethnographic study aims to unfold the ways of knowing and being through narrative inquiry, based on our experiences from an interdisciplinary music and literature teaching concept. From a reflexive stance we research our thoughts and ideas on #life#death#love as a performative educational practice, artfulness (Chemi, 2009), searching for ways of “illuminating classroom life” (Bresler 2019). The text raises questions on how and why we as academic educators are continuously in the process of creating and searching for possibilities to encourage “expanded seeing” (Bresler, 2018) and how moments of “epiphanies” (Ellis, 2004) and understanding may begin from “any walk of life” (Kim 2016). Rhizomatic thinking (Deleuze & Guattari, 1980) thus serves nicely as a theoretical framework, enabling us to create/follow paths of listening, wondering, dwelling and resistance and thinking as a flight from within (Jackson & Mazzei, 2017).
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