M. Pfister
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引用次数: 0

摘要

虽然在“莎士比亚与金钱”的背景下分析莎士比亚的十四行诗并不是一个明显的选择,但我相信卡尔·马克思在他的《经济与哲学手稿》中的“金钱的力量”与十四行诗的关系就像它们与《雅典的丁门》等戏剧的关系一样密切。我对它们的阅读将突出它们与早期现代银行业的术语和发展的对话,并将重点放在贯穿整个周期的经济交易的隐喻上;事实上,他们中有三分之一的人把爱、爱的财富和真理、爱的使用和滥用看作是投资,目的是在自我异化的银行/金融收益世界之外,规划出另一种经济。这种情爱与经济的交织也包括了爱情十四行诗的写作,一种竞争性的游戏式的经济交易。投机倒把是一种“推销爱情”的方式,它不可避免地在本应最真诚的爱情表达上投下了资本主义的阴影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Love Merchandized’
Although analysing Shakespeare’s sonnets in the context of ‘Shakespeare and money’ is not an obvious choice, I believe that Karl Marx’s ‘The Power of Money’ in his Economic and Philosophic Manuscripts are as relevant to the sonnets as they are to plays such as Timon of Athens. My reading of them will foreground their dialogue with terms and developments in early modern banking and focus on metaphors of economic transaction that run through the whole cycle; indeed, a third of them figure love, its wealth and truth, use and abuse, in terms of investment in order to project an alternative economy beyond the self-alienating world of banking/financial gain. This imbrication of the erotic with the economic comprises also the writing of love sonnets, a competitive game-like economic transaction. Soneteering is a way of ‘merchandizing love’ that inevitably casts a capitalist shadow across the supposedly most sincere expression of love.
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