美国嘻哈对崛起的亚洲说唱歌手的影响和优势

Mayza Nisrin Abielah
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引用次数: 0

摘要

文化帝国主义的目的是指主导文化如何影响其他文化,从而获得对某些文化的控制,并创造出自己的主导文化是世界各国中心的观点,从而在世界范围内造成统一性。因此,本研究将探讨亚洲说唱歌手如何受到美国嘻哈文化的影响,以及他们如何从事业的成功中受益。本研究采用John Tomlinson的文化帝国主义理论来考察美国嘻哈文化中的文化帝国主义对亚洲说唱歌手的影响。本研究采用的是Creswell的定性研究方法。结果表明,美国的文化帝国主义通过吸收美国嘻哈的文化、语言和风格来影响亚洲rapper。然而,它的影响并不是有害的,因为亚洲说唱歌手利用它来获得更多的人的认可,特别是在西方,并被接受代表亚洲移民在美国。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE INFLUENCE AND THE ADVANTAGE OF AMERICAN HIP HOP TO THE RISING ASIAN RAPPERS
Cultural imperialism aims at how dominant culture affects other cultures to gain control of certain cultures and create the view that their dominant culture is the center for all countries in the world, which will create uniformity around the world. Therefore, this study will discuss how Asian rappers are influenced by American hip hop culture and how they benefitted from their careers’ success. The theory used in this study is cultural imperialism by John Tomlinson to see the influence of cultural imperialism in American hip hop culture to Asian rappers. The method used in this study is qualitative research by Creswell. The result shows that America’s cultural imperialism influences Asian Rappers by adopting its culture, language, and style of American hip hop. However, its influence is not harmful since the Asian rappers use this to gain more recognition from people, especially in Western, and to be accepted in representing Asian immigrants in the United States.
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