雕塑工件。对骶骨空间气氛的手势解读

Dirk Bahmann
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引用次数: 0

摘要

本文探讨了一种使用雕塑文物作为实用工具的教学方法,以探索在神圣建筑中发现的不可言喻但具有强烈唤起性的氛围。无论这些空间体验看起来多么有情感;在建筑教育学中,我们努力谈论它们的本质和细微差别,因为它们抵制建筑话语通常流通的媒介。雕塑形式的制作允许本科生对大气的各个方面做出手势。通过制作过程建立的扩展体图式有助于对大气质量的具体理解。面向对象的本体(OOO)提供了一个有用的理论基础,作为一种方式来理解学生的互动,雕塑文物之间的关系,制作过程和创造的氛围。通过这些过程,学生们意识到、感受、参与、表达和表达神圣建筑氛围的细微差别和品质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SCULPTURAL ARTIFACT. A Gestural Reading of the Atmospheres of Sacral Space
Abstract This article explores a pedagogical approach of using sculptural artifacts as a practical tool to explore the ineffable but powerfully evocative atmospheres found within sacral architectures. However affective these spatial experiences may seem; in architectural pedagogy we struggle to speak of their nature and nuance, since they resist the mediums through which architectural discourse typically circulates. The making of sculptural forms allows undergraduate students to gesture to aspects of the atmosphere. An extended body schema established by the making process facilitates an embodied understanding of the atmospheric qualities. Object Oriented Ontology (OOO) provides a useful theoretical underpinning as a way to understand the students′ interactions, relationships between the sculptural artifacts, the processes of making and the atmospheres created. Through these processes, students become aware of, feel, engage, articulate and express the nuances and qualities of sacral architectural atmospheres.
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