公司、协会和国家:国际电影补贴制度

Michael Wartenbe
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引用次数: 0

摘要

新自由主义并没有增加市场竞争和减少政府开支,而是促使各国通过吸引跨国公司来竞争。直接补贴以吸引投资已成为这一过程中最令人震惊的常态之一,好莱坞和电影业已成为这一体系中最积极的参与者之一。事实上,要想拥有一个正常运转的电影业,政府补贴是必不可少的,通常要支付高达三分之一的制作成本。每名员工的补贴率是所有行业中最高的,而且由于世界上大多数国家都参与其中,除了最全球化的好莱坞电影公司外,它们几乎没有给任何人带来长期利益。相反,这使得地方政府、工人和小型制作公司更依赖于大型电影制片厂,以吸引大量的制作支出,但最终却支持了一个不断扩大的补贴体系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Corporations, Associations and the State: The International Subsidy System for Film
Rather than increasing competition in the market and decreasing government spending, neoliberalism has driven states to compete by appealing to transnational corporations. Direct subsidization to attract investment has become one of the most egregious normalization of this process, and Hollywood and the film industry have become some of the most active participants to this system. Indeed to have a functioning film industry, government subsidies are essential, commonly paying out up to a third of the production costs. Per employee these are some of the highest subsidy rates of any industry, and with most of the world participating, they offer little long-term benefit to anyone besides the most global Hollywood studios. Rather, this creates greater dependency on the Major film studios by local government, workers, and small production companies to attract large production spending, but end up supporting an ever expanding system of subsidization.
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