8. 《市场力量:詹姆斯·邦德、有色人种女性和东方集市

Lorrie Palmer
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引用次数: 0

摘要

本章考察了《明日之城》(1997)和《007:大破天幕杀机》(2012)中的追逐镜头,以证明007与有色人种女性的不同关系可以通过东方集市所唤起的“他者”(Otherness)来看待:东方集市是一个视觉性和流动性的场所,也是一个混合身份和文化旅游可见的社会空间。前一部(由皮尔斯·布鲁斯南和香港动作明星杨紫琼主演)反映了米哈伊尔·巴赫金(Mikhail Bakhtin)所塑造的狂欢,其中颠倒的角色挑战了社会和文化规范。相比之下,后来的邦德(丹尼尔·克雷格和一个新的钱班霓,娜奥米·哈里斯),回归到东方主义的东西方关系的表达,这种关系是以排斥和统治为基础的殖民权力行使为基础的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
8. Market Forces: James Bond, Women of Color, and the Eastern Bazaar
This chapter examines the chase sequences in Tomorrow Never Dies (1997) and in Skyfall (2012) in order to argue that 007’s varying relationships with women of color may be seen through the Otherness evoked by the Eastern bazaar: a site of visuality and mobility as well as a social space where both hybrid identity and cultural tourism are made visible. The earlier f ilm (with Pierce Brosnan and Hong Kong action star, Michelle Yeoh) ref lects what Mikhail Bakhtin casts as carnival, where inverted roles challenge social and cultural norms. In contrast, the later Bond (with Daniel Craig and a new Moneypenny, Naomie Harris), regresses to the Orientalist expression of an East-West relationship predicated on the colonial exercise of power based on exclusion and domination.
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