詹妮弗·库克,当代女性主义生活写作:新的大胆

Malin Lidström Brock
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摘要

二十一世纪的头二十年出现了大量的作家,他们挑战并扩展了之前女权主义生活写作的概念。在《当代女性主义生活写作:新的大胆》一书中,詹妮弗·库克列举了13位当代作家的作品,作为她所说的生活写作中新的大胆的例子。其中一些作家很年轻,还处于职业生涯的早期,已经通过评论家或出版商相互联系起来。库克将大胆定义为“对传统的公开挑战,其特征是无视礼节、礼仪或道德约束”,他将这13位作家称为女权主义者,即使她们不直接参与政治。她进一步解释说,与他们的前辈不同,这些作家是在酷儿、性别和创伤理论以及对二元思维的后结构批评之后写作的。他们认为身份是一种社会结构,既体现在物质上,也体现在身体上。库克认为,通过这些作家提供的关于他们生活的视角和他们的写作所采取的实验性形式,他们正在重塑女权主义及其关注的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jennifer Cooke, Contemporary Feminist Life-Writing: The New Audacity
The first two decades of the twenty-first century have seen a plethora of writers, who have challenged and expanded previous notions of feminist life writing. In Contemporary Feminist Life-Writing: The New Audacity, Jennifer Cooke identifies works by thirteen contemporary writers as examples of what she refers to as a new audacity in life writing. Several of these writers are young, early in their careers, and already connected with each other through reviewers or publishers. Defining audacity as a ‘public challenge to conventions, characterized by a disregard for decorum, protocol, or moral restraints,’ Cooke refers to the thirteen writers as feminists, even when they do not directly engage with politics. Unlike their predecessors, she clarifies further, these writers are writing in the wake of queer, gender and trauma theory, and post-structural critiques of binary thinking. They view identity as social constructions manifested both materially and bodily. Through the perspectives that these writers offer on their lives and the experimental form their writing takes, Cooke argues, they are reshaping feminism and its concerns.
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