{"title":"有原因的反抗","authors":"Paraskevas Petrou","doi":"10.1515/9783035621761-005","DOIUrl":null,"url":null,"abstract":"As a historian of early America, my subject predates the invention of lm or video, voice or music recording, or even photography. When I watch my modernist colleagues deliver multi-media lectures – including lm clips, snatches of popular music or speeches, and photos – I feel a twinge of envy. The closest 18thcentury Americans ever got to a multi-media presentation was to paint the words: “No Stamp Act!” on the side of a porcelain teapot. A few years ago, after discussing the origins and consequences of the Boston tea party, including reading contemporary newspaper accounts, letters, and cartoons, I treated my students (and I will admit, myself) to the Boston tea party scene from Disney’s 1957 lm Johnny","PeriodicalId":395593,"journal":{"name":"Mirei Shigemori - Rebel in the Garden","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"REBEL WITH A CAUSE\",\"authors\":\"Paraskevas Petrou\",\"doi\":\"10.1515/9783035621761-005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As a historian of early America, my subject predates the invention of lm or video, voice or music recording, or even photography. When I watch my modernist colleagues deliver multi-media lectures – including lm clips, snatches of popular music or speeches, and photos – I feel a twinge of envy. The closest 18thcentury Americans ever got to a multi-media presentation was to paint the words: “No Stamp Act!” on the side of a porcelain teapot. A few years ago, after discussing the origins and consequences of the Boston tea party, including reading contemporary newspaper accounts, letters, and cartoons, I treated my students (and I will admit, myself) to the Boston tea party scene from Disney’s 1957 lm Johnny\",\"PeriodicalId\":395593,\"journal\":{\"name\":\"Mirei Shigemori - Rebel in the Garden\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mirei Shigemori - Rebel in the Garden\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9783035621761-005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mirei Shigemori - Rebel in the Garden","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9783035621761-005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
As a historian of early America, my subject predates the invention of lm or video, voice or music recording, or even photography. When I watch my modernist colleagues deliver multi-media lectures – including lm clips, snatches of popular music or speeches, and photos – I feel a twinge of envy. The closest 18thcentury Americans ever got to a multi-media presentation was to paint the words: “No Stamp Act!” on the side of a porcelain teapot. A few years ago, after discussing the origins and consequences of the Boston tea party, including reading contemporary newspaper accounts, letters, and cartoons, I treated my students (and I will admit, myself) to the Boston tea party scene from Disney’s 1957 lm Johnny
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