症状性影像/传染性影像:饮食失调视觉叙事的矛盾心理

C. Nicastro
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引用次数: 0

摘要

图像与厌食症、厌食症、暴食症、暴食症和其他被认为是“紊乱”的食物消费形式之间的联系是有争议的,而且往往被过度简化。它经常被简化为这样一种观点,即迷人的形象,特别是20世纪90年代的海洛因别致风格,创造了一种危险的想象,让年轻女性——统计上是饮食失调的主要目标——效仿。这篇文章想通过探讨饮食失调和图像之间复杂关系的三个方面来挑战这个问题:1)对感染的恐惧,这种恐惧困扰着暴露患有饮食失调的身体的图像;2)作为一种基于时间的媒介,电影提供了一套独特的感知工具来解释饮食失调对时间的影响——被感知、生活、分享;还有一个值得观察的方面,因为它占据了当前辩论的主导地位,那就是如何正确地表达某些医疗条件及其经验的问题。这场辩论的核心理由极其重要,证明了照片和动态图像如何悲惨地助长了性别和种族偏见以及对某些疾病的污名化。虽然在说到虚假陈述的时候,我们会冒着接受虚假模仿的风险,代价是某些条件下固有的体验所带来的矛盾心理,而这种矛盾心理不应该在虚构的维度中消失。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Symptomatic Images/Contagious Images: The Ambivalence of Visual Narratives of Eating Disorders
The connection between images and anorexia, orthorexia, bulimia, binge eating, and other forms of food consumption deemed ‘disordered’ is controversial and often over-simplified. Frequently it is reduced to the idea that glamorous images, particularly the heroin chic style of the 1990s, create a dangerous imaginary that young women - statistically the main target of eating disorders - emulate. This article wants to challenge this issue by exploring three aspects of the intricate relationship between eating disorders and images: 1) The fear of contagion that haunts images exposing bodies that suffer by eating disorders; 2) As a time-based medium, film offers a privileged set of perceptive tools to account for the ways eating disorders interfere with time – as perceived, lived, shared; 3) One more aspect that is relevant to observe since it predominately occupies the current debate is the question of the right way to represent certain medical conditions and their experience. The reasons at the core of this debate are extremely vital and prove how photos and moving images have tragically contributed to building and constructing gender and racial bias as well as the stigmatization of certain diseases. Though when speaking of misrepresentation there is the risk of embracing a deceptive idea of good mimesis at the cost of the ambivalence that the experience of certain conditions inherently carry and which should not disappear in the fictional dimension.
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