{"title":"龙,神,恶魔- ojime -象征内容隐藏在微型形式","authors":"Marta Michalska-Kurczynska","doi":"10.15804/aoto201306","DOIUrl":null,"url":null,"abstract":"nowadays through acquaintance with literature, beliefs, myths and leg ends. Thanks to this knowledge, a piece of art can be perceived not only with regards to its external form, but also to its content. This presentation aims to disclose some external features with a primary focus on the iconographic analysis of miniature art subjects the collection of forty four 19th century Japanese ojime. Ojime is a bead an ornamental element also used practically on a personal lacquered box (inro) and its accompanying netsuke.15 The set of ojime under discussion here is a private collection which remains one of the largest in Poland. This Ojime collection once belonged to professor Jozef Rancewicz, a dental surgeon from Warsaw,* 25 and was made available to me for my research thanks to doctor Zofia Rancewicz.","PeriodicalId":240161,"journal":{"name":"Art of the Orient","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dragons, gods, demons – ojime – symbolic content hidden in miniature form\",\"authors\":\"Marta Michalska-Kurczynska\",\"doi\":\"10.15804/aoto201306\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"nowadays through acquaintance with literature, beliefs, myths and leg ends. Thanks to this knowledge, a piece of art can be perceived not only with regards to its external form, but also to its content. This presentation aims to disclose some external features with a primary focus on the iconographic analysis of miniature art subjects the collection of forty four 19th century Japanese ojime. Ojime is a bead an ornamental element also used practically on a personal lacquered box (inro) and its accompanying netsuke.15 The set of ojime under discussion here is a private collection which remains one of the largest in Poland. This Ojime collection once belonged to professor Jozef Rancewicz, a dental surgeon from Warsaw,* 25 and was made available to me for my research thanks to doctor Zofia Rancewicz.\",\"PeriodicalId\":240161,\"journal\":{\"name\":\"Art of the Orient\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art of the Orient\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15804/aoto201306\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art of the Orient","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15804/aoto201306","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Dragons, gods, demons – ojime – symbolic content hidden in miniature form
nowadays through acquaintance with literature, beliefs, myths and leg ends. Thanks to this knowledge, a piece of art can be perceived not only with regards to its external form, but also to its content. This presentation aims to disclose some external features with a primary focus on the iconographic analysis of miniature art subjects the collection of forty four 19th century Japanese ojime. Ojime is a bead an ornamental element also used practically on a personal lacquered box (inro) and its accompanying netsuke.15 The set of ojime under discussion here is a private collection which remains one of the largest in Poland. This Ojime collection once belonged to professor Jozef Rancewicz, a dental surgeon from Warsaw,* 25 and was made available to me for my research thanks to doctor Zofia Rancewicz.