奴隶创伤在歌词中的表现——《奴隶歌曲选集》读本

Mala Annamma Mathew
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引用次数: 2

摘要

这篇研究论文着眼于奴隶制作为一种创伤性的公共经历对音乐和歌词的影响。它关注的是非洲裔美国人社区创伤的集体记忆中叙事的发展;反过来,它最初是作为自由的工具发挥作用,后来演变成治疗和见证的功能。它解决了创伤被吸收到一种文化的集体意识中的问题,以及它在叙事中的反映。这篇研究论文着眼于作为逃跑奴隶密码的叙述,并对其进行了解构。而用来理解文化创伤的主要文本是比莉·霍乐迪(Billie Holiday)演唱、阿贝尔·米罗波尔(Abel Meeropol)创作的歌曲《奇怪的水果》(Strange Fruit)的歌词。Cathy Caruth, Jeffrey C. Alexander和Toni Morrison的创伤理论被用来理解创伤是如何在歌词中表现出来的。这份研究报告还将调查比莉·哈乐黛(Billie Holiday)的故事,以了解《奇异的水果》(Strange Fruit)作为国歌的发展过程,以及当她觉得这首歌应该得到应有的评价时,她是如何为种族融合的听众演唱这首歌的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Manifestation of Slave Trauma in Lyrics: A Reading of Select Slave Songs
This research paper looks into the effect of slavery, as a traumatic communal experience, on music and lyrics. It focuses on the development of narratives out of the collective memory of trauma in the African-American community; which in turn worked first as a tool for freedom and evolved to function as cure and testimony. It addresses the issue of trauma being imbibed into a collective consciousness of a culture and its reflection in the narratives. The research paper looks at narratives used as escape slave codes and deconstructs them. While the primary text used to understand cultural trauma is the lyrics to the song “Strange Fruit” sung by Billie Holiday and written by Abel Meeropol. Trauma theories by Cathy Caruth, Jeffrey C. Alexander and Toni Morrison are used to understand how trauma is manifested in lyrics. The research paper will also look into the account of Billie Holiday to understand the development of Strange Fruit as an anthem and how she performed the song for racially integrated audiences when she felt that the song would receive its due.
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