Amelie Björck
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摘要

“以人类为中心的灵长类动物。《不杀人的猴子》这个故事的一个物种散文式阅读。“在儿童文学中,非人类灵长类动物经常被描绘成凶猛的野兽,或者是好奇而可爱的替代儿童。在这篇文章中,我将展示这些不同的结构如何有趣地共存于1891年由苏格兰福音传教士和自然科学教授亨利·德拉蒙德(Henry Drummond)撰写的流行故事“不杀人的猴子”中。我的研究锚定了历史上基督教话语中怪物猿的形象和动物学话语中孩童猿的形象,并将它们分别与恐怖和喜剧的文学类型联系起来。这两种形象都是以人类为中心的,它们将猿简化为奇怪的敌人或从属的“朋友”:它们确认了人与猿之间的等级二元论。我的阅读也指出了故事中物种之间的相遇所表现出的过度激情,这是二元论的一种渗漏。根据阿甘本(Giorgio Agamben)的“人类学机器”(anthropological machine)概念,我总结了这篇文章,反思了人类牧羊人试图杀死动物的积极尝试,不仅是一种统治行为,也是对其他灵长类动物“实验”的痴迷的见证,以巩固人类的物种身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Primater emellan. En läsning av Henry Drummonds berättelse ’’Apan som ingen kunde döda’’
‘‘The anthropocentric primate. A species discursive reading of the story ‘The monkey that would not kill.’’’ In children’s literature nonhuman primates are often represented either as ferocious beasts or as curios and charmful vicarious children. In this article I demonstrate how these different constructions interestingly coexist in the popular story ‘‘ The monkey that would not kill ’’, written by the Scottish evangelist and professor of the natural sciences Henry Drummond in 1891. My study anchors the figuration of the monstrous ape historically in a Christian discourse and the figuration of the childlike ape in a zoological discourse, and link them to the literary genres of horror and comedy, respectively. Both of the figurations are anthropocentric in their reductive ways of representing the ape as strange enemy or subordinate ‘‘friend’’: they confirm the hierarchic dualism between man and ape. My reading also points out the excessive passion that characterizes the meeting between the species in the story, as a kind of leakage from the dualism. In light of Giorgio Agamben’s concept of the ‘‘anthropological machine’’, I conclude the article reflecting on the human shepherd’s energetic attempts to kill the animal not only as an act of domination, but also as bearing witness to the obsession with ‘‘experimenting’’ with other primates, in order to consolidate a human species identity.
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