{"title":"时代、舞台与试金石:重新审视莎士比亚与西德尼","authors":"P. Titlestad","doi":"10.4314/sisa.v35i1.6","DOIUrl":null,"url":null,"abstract":"The Elizabethan Age was a cruel and contradictory time. Who were the Puritans? Who attacked the stage? Sidney, glamorous young courtier and sonneteer, defender of literature, had strong Huguenot and reformed connections. Shakespeare, a conformed Catholic, gave Sidney’s fruitful arguments unexpected expression. Sidney also gave Shakespeare fruitful irritation, and the humour in some of his plays relied on audiences who knew their Sidney for the full joke. Falstaff and King Arthur have walk-on parts in this tale of paradox, with its extensive backdrop of theological savagery.","PeriodicalId":334648,"journal":{"name":"Shakespeare in Southern Africa","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The age, the stage – and Touchstone: Shakespeare and Sidney reconsidered\",\"authors\":\"P. Titlestad\",\"doi\":\"10.4314/sisa.v35i1.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Elizabethan Age was a cruel and contradictory time. Who were the Puritans? Who attacked the stage? Sidney, glamorous young courtier and sonneteer, defender of literature, had strong Huguenot and reformed connections. Shakespeare, a conformed Catholic, gave Sidney’s fruitful arguments unexpected expression. Sidney also gave Shakespeare fruitful irritation, and the humour in some of his plays relied on audiences who knew their Sidney for the full joke. Falstaff and King Arthur have walk-on parts in this tale of paradox, with its extensive backdrop of theological savagery.\",\"PeriodicalId\":334648,\"journal\":{\"name\":\"Shakespeare in Southern Africa\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare in Southern Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4314/sisa.v35i1.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare in Southern Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4314/sisa.v35i1.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The age, the stage – and Touchstone: Shakespeare and Sidney reconsidered
The Elizabethan Age was a cruel and contradictory time. Who were the Puritans? Who attacked the stage? Sidney, glamorous young courtier and sonneteer, defender of literature, had strong Huguenot and reformed connections. Shakespeare, a conformed Catholic, gave Sidney’s fruitful arguments unexpected expression. Sidney also gave Shakespeare fruitful irritation, and the humour in some of his plays relied on audiences who knew their Sidney for the full joke. Falstaff and King Arthur have walk-on parts in this tale of paradox, with its extensive backdrop of theological savagery.