{"title":"多明·冈伯特:《欣赏:纪念约瑟夫·克尔曼(1924-2014)》","authors":"Anthony Newcomb","doi":"10.1525/jm.2015.32.3.346","DOIUrl":null,"url":null,"abstract":"Starting from the narrative and affective shape of the text from the Gospel, this essay explores what analytical approaches best bring out the power and effectiveness of Nicolas Gombert’s setting of Domine, si tu es . It stresses that Gombert’s goal is not to deliver or declaim the text in a recitational manner, but rather to embody its affective climaxes and the tension and relaxation of its overall narrative structure in parallel musical structures. Gombert is shown to be a master musical rhetorician.","PeriodicalId":413730,"journal":{"name":"The Journal of Musicology","volume":"104 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Gombert, Domine, si tu es: An Appreciation: To Joseph Kerman (1924–2014) in memoriam\",\"authors\":\"Anthony Newcomb\",\"doi\":\"10.1525/jm.2015.32.3.346\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Starting from the narrative and affective shape of the text from the Gospel, this essay explores what analytical approaches best bring out the power and effectiveness of Nicolas Gombert’s setting of Domine, si tu es . It stresses that Gombert’s goal is not to deliver or declaim the text in a recitational manner, but rather to embody its affective climaxes and the tension and relaxation of its overall narrative structure in parallel musical structures. Gombert is shown to be a master musical rhetorician.\",\"PeriodicalId\":413730,\"journal\":{\"name\":\"The Journal of Musicology\",\"volume\":\"104 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Journal of Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/jm.2015.32.3.346\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/jm.2015.32.3.346","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Gombert, Domine, si tu es: An Appreciation: To Joseph Kerman (1924–2014) in memoriam
Starting from the narrative and affective shape of the text from the Gospel, this essay explores what analytical approaches best bring out the power and effectiveness of Nicolas Gombert’s setting of Domine, si tu es . It stresses that Gombert’s goal is not to deliver or declaim the text in a recitational manner, but rather to embody its affective climaxes and the tension and relaxation of its overall narrative structure in parallel musical structures. Gombert is shown to be a master musical rhetorician.
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