{"title":"结论","authors":"Noah Tsika","doi":"10.1525/california/9780520297630.003.0007","DOIUrl":null,"url":null,"abstract":"There is a moment in Clint Eastwood’s American Sniper (2014) in which Bradley Cooper, as historical figure Chris Kyle, interacts with a number of physically wounded Iraq War veterans—many of them played by actual veterans whose combat-altered bodies, displayed for the camera in blunt tableaux of suffering and recovery, externalize the traumas that appear to haunt Cooper’s Kyle....","PeriodicalId":255152,"journal":{"name":"Traumatic Imprints","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Conclusion\",\"authors\":\"Noah Tsika\",\"doi\":\"10.1525/california/9780520297630.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"There is a moment in Clint Eastwood’s American Sniper (2014) in which Bradley Cooper, as historical figure Chris Kyle, interacts with a number of physically wounded Iraq War veterans—many of them played by actual veterans whose combat-altered bodies, displayed for the camera in blunt tableaux of suffering and recovery, externalize the traumas that appear to haunt Cooper’s Kyle....\",\"PeriodicalId\":255152,\"journal\":{\"name\":\"Traumatic Imprints\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Traumatic Imprints\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/california/9780520297630.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Traumatic Imprints","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/california/9780520297630.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
There is a moment in Clint Eastwood’s American Sniper (2014) in which Bradley Cooper, as historical figure Chris Kyle, interacts with a number of physically wounded Iraq War veterans—many of them played by actual veterans whose combat-altered bodies, displayed for the camera in blunt tableaux of suffering and recovery, externalize the traumas that appear to haunt Cooper’s Kyle....