4. 美学与自我

Bence Nanay
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引用次数: 0

摘要

《美学与自我》解释了我们如何将审美偏好作为我们自身的重要组成部分,以及这些偏好如何在我们没有注意到的情况下迅速变化。它将审美参与或体验与审美判断进行比较。做出判断很少是有益的、有趣的或愉快的。另一方面,经历可以。但是,为什么美学家痴迷于审美判断呢?“西方”美学的关键概念一直是审美判断,而绝大多数非西方美学传统根本不太关心审美判断,而是关注我们的情感展开的方式,我们的感知改变的方式,以及审美参与与社会参与的互动方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
4. Aesthetics and the self
‘Aesthetics and the self’ explains how we take our aesthetic preferences to be a big part of who we are, but how these preferences change surprisingly quickly and often without us noticing. It compares aesthetic engagement or experience to aesthetic judgements. Making judgements is rarely rewarding, entertaining, or pleasurable. Experiences, on the other hand, can be. But why are aestheticians obsessed with aesthetic judgements? The key concept of ‘Western’ aesthetics has always been that of aesthetic judgement, whereas the vast majority of non-Western aesthetic traditions are not too concerned with aesthetic judgements at all, but with the way our emotions unfold, the way our perception is altered, and the way aesthetic engagement interacts with social engagement.
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