《Meleager》和《Catullus》中的声音、感觉和序列

Charles S. Campbell
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引用次数: 1

摘要

摘要:本文从一个新的角度探讨了卡图兰语料库中诗歌编排的老问题。它将目光转向卡图卢斯的前辈,警句大师Meleager,以及他在《Palatina选集》(以下简称AP)中保存的花环的痕迹,以寻找构图和组织技术的相似之处。一对Meleagrean序列(AP 7.195-6)的检验;5.6-8)和个人卡图兰诗歌(2;70)显示卡图卢斯仔细地从他模仿的序列中收录了关键词和声音。对比AP 6.300-303和Catullus 12-14可以看出,Catullus也模仿了Meleager在诗歌序列的构成中使用关键词和声音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sound, Sense, and Sequence in Meleager and Catullus
Abstract:This study addresses the old question of poem-arrangement in the Catullan corpus from a new angle. It looks to a close-predecessor of Catullus, the epigrammatist Meleager, and traces of his Garland preserved in the Anthologia Palatina (hereafter AP), for parallels of compositional and organizational technique. Examination of a pair of Meleagrean sequences (AP 7.195–6; 5.6–8) and individual Catullan poems (2; 70) shows Catullus carefully included key words and sounds from the sequences he imitated. Comparison of AP 6.300–303 and Catullus 12–14 shows Catullus also imitated Meleager's use of key words and sounds in the composition of sequences of poems.
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