《巴特的日常写作

Tiphaine Samoyault
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引用次数: 0

摘要

本章所呈现的巴尔特形象,有两个原因以前从未有人写过:首先,它来自于作者在准备巴尔特传记时能够探索的档案;第二,它来源于巴特的一部分作品,他将其与其他作品分开。这部分被称为“普通”,因为它对应于我们都有的那些适度的写作姿势:写信、明信片、待办事项清单、便条、信息或购物清单。在巴特那里,它是一种与其他部分隔绝的写作,但它默默地伴随着文学或智力生产。他早期有系统地记录他对电影的学术研究的习惯,后来发展成他一生保存的庞大的自我档案,一个储存库,记录了他所看到的、读到的和听到的东西,思想和计划,对地方和人的印象,他喜欢的语录,或者床边的涂鸦。这种记录是一种可塑的形式,吸收了普通写作的所有形式,一种允许无限再分配的灵活性的超文本文档,本章最后讨论了巴特的日记写作实践,以及它与他为计划中的“小说”(他称之为“新生”)顽强地修改笔记、计划和记录的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Barthes’s Ordinary Writing
This chapter presents a picture of Barthes that for two reasons has not been written about before: first, it comes from the archive the author was able to explore whilst preparing a biography of Barthes; second, it derives from a part of Barthes’s writing he kept separate from the rest. This part is called ‘ordinary’ because it corresponds to those modest gestures of writing we all share: writing letters, postcards, to-do lists, notes, messages, or shopping lists. In Barthes, it is a kind of writing cut off from the rest, but that silently accompanies literary or intellectual production. His early habit of methodically recording his academic research on fiches develops into the production of the enormous self-archive he maintained all his life, a repository of things seen, read, and heard, of thoughts and projects, of impressions of places and people, of quotations he liked, or of bedside scribbles. This fichier is a malleable form absorbing all forms of ordinary writing, a kind of hypertextual document allowing flexibility for infinite redistribution, and the chapter concludes with discussion of Barthes’s diary-writing practice and its relation to the tenacious reworking of notes, plans, and fiches for the projected ‘novel’ he called Vita nova.
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