象征的种子:石榴在过去和现在的艺术作品中的使用分析

Hannah Spry
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引用次数: 0

摘要

石榴的形象在不同时期的许多艺术家的作品中都有使用,如桑德罗·波提切利的《石榴圣母》(1485)、雷切尔·鲁伊什的《花果》(1716)、但丁·加布里埃尔·罗塞蒂的《普罗塞福涅》(1874)和萨尔瓦多·Dalí的《蜜蜂的飞行引起的梦》(1944)。虽然石榴通常被解释为生育的象征,但在整个艺术史上,石榴有许多其他的解释和用途,如神话、宗教、性,或者只是作为静物研究中的自然对象。学者们在讨论石榴在个别艺术作品中的象征意义时提到了石榴,但没有在不同的时间和不同的艺术时期进行研究。在这篇文章中,我将通过对上述艺术家作品的视觉和图像分析来解读他们对石榴的使用。在分析了每件作品之后,我讨论了它们是如何与我自己的作品联系起来的,作为一个延续这一传统的艺术家。特别是,我将描述我在石榴中看到的意义,正如我的丝网印刷《我美丽的血管》(妊娠纹或其他,2019年)中所示。在这个作品中,我用石榴的物理属性来表达一种身体的积极态度,强调美与力。通过展示我的作品与历史艺术家之间的异同,我能够为过去和现在的石榴图像的使用提供进一步的背景和理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Symbolic Seeds: An Analysis of Pomegranate Usage in Selected Artworks of the Past and Present
for “Symbolic Seeds: An Analysis of Pomegranate Usage in Selected Artworks of the Past and Present” The image of the pomegranate has been used in works by many artists of different periods such as Sandro Botticelli’s ​Madonna of the Pomegranate​ (1485), Rachel Ruysch’s ​Fruit and Flowers​ (1716), Dante Gabriel Rossetti’s ​Proserpine​ (1874), and Salvador Dalí’s ​Dream Caused by the Flight of a Bee​ (1944). Although the pomegranate is often interpreted as a symbol of fertility, there have been many other interpretations and usages of the pomegranate throughout art history such as mythological, religious, sexual, or simply as a natural object in a still-life study. The pomegranate has been referenced by scholars while discussing its symbolism in individual works of art but not examined over time and different periods of art. In this essay, I interpret each of the above artists’ use of the pomegranate through visual and iconographic analysis of their paintings. After analyzing each work, I discuss how they relate to my own work as an artist who is extending this tradition. In particular, I will describe the significance I see in the pomegranate as shown in my screen print ​My Beautiful Vessel ​(​Stretch marks or otherwise, 2019). I use the pomegranate’s physical attributes to express a body positive attitude in this work by highlighting both beauty and strength. By demonstrating the similarities and differences between my work and that of historical artists, I am able to provide further context and understanding for the use of pomegranate imagery of the past and present.
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