断裂点

S. Smith
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引用次数: 0

摘要

GWTW使施泰纳重回电影作曲家的巅峰;1940年,杰克·华纳(Jack Warner)指派他拍摄一系列a级影片,这些影片至今仍是华纳公司王冠上的明珠。在评估《信》和《约克中士》等电影的配乐时,本章详细介绍了施泰纳用来创造新鲜声音的乐器实验(他作品中经常被忽视的一个方面)。马克斯也为成为父亲而欣喜若狂:他希望儿子罗纳德能延续施泰纳音乐王朝。但多年不间断的工作、日益恶化的经济问题和视力下降导致这位作曲家在1941年遭受了精神崩溃。据露易丝说,斯泰纳——通常是一个善良慷慨的人——勃然大怒,用玻璃烟灰缸打他的妻子,打得她明显精神崩溃。他们随后的分离开始了多年的个人不快乐,这是斯坦纳一生中最有创造力的时期之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Breaking Point
GWTW restored Steiner to the top rank of film composers; and in 1940, Jack Warner assigned him to a series of A-pictures that remain jewels in that studio’s crown. In assessing scores for such movies as The Letter and Sergeant York, this chapter details the instrumental experimentation Steiner used to create fresh sounds (an aspect of his work often neglected). Max also was overjoyed to become a father: son Ronald, he hoped, would continue the Steiner musical dynasty. But years of nonstop work, worsening financial problems, and failing eyesight led the composer to suffer a breakdown in 1941. According to Louise, Steiner—usually a kind and generous man—exploded in a rage, striking his wife with a glass ashtray and hitting her in an apparent mental breakdown. Their subsequent separation initiated years of personal unhappiness, amid one of the most creative periods of Steiner’s life.
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