《一开始:黑暗与1960年代的创造性非虚构》Ōe kenzaburi

Will Bridges
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引用次数: 4

摘要

这篇文章考虑了诺贝尔奖得主Ōe kenzaburku在1961年(Ōe参加了在东京举行的亚非作家会议)和1968年(他在木国屋大厅发表了一系列关于美国种族关系的演讲)之间写的关于黑人文学和美国种族关系的非虚构作品。在这些非虚构的思考中,Ōe假设了战后日本和后民权时代的非裔美国人所共有的类似的生存困境。Ōe对这一困境提出的解决方案——一种根植于庆祝民族和种族多样性的存在主义自由——深受他对理查德·赖特、拉尔夫·埃里森和詹姆斯·鲍德温的阅读影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In the Beginning: Blackness and the 1960s Creative Nonfiction of Ōe Kenzaburō
This essay considers the nonfictional writings on black literature and American race relations penned by Nobel laureate Ōe Kenzaburō between the years 1961 (when Ōe attended the Asian-African Writers Conference held in Tokyo) and 1968 (when he delivered a series of speeches in Kinokuniya Hall on American race relations). In these nonfictional musings, Ōe posits an analogous existential dilemma shared by the postwar Japanese and post–civil rights era African-Americans. Ōe's proposed solution to this dilemma—a kind of existential freedom rooted in celebrating ethnic and racial diversity—is highly informed by his reading of Richard Wright, Ralph Ellison, and James Baldwin.
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