后夜

Patricia A. Emison
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引用次数: 0

摘要

电影的意象反映并刺激了整个20世纪女性生活的巨变。电影的历史,以及对电影的反应,提供了社会态度和偏见的证据——这些是好莱坞的偏见,也是与种族和性别有关的地区偏见。那些在社会上受到诋毁的人,比如妓女,在银幕叙事中往往受到一定程度的尊重。传统类型依赖于结局;电影,尤其是二战后的电影,刻画了生活复杂困难的妇女和儿童,往往缺乏清晰的解决方案。雷奈、伯格曼和安东尼奥尼都关注生活单调而非英雄的女性,并将她们作为研究现代社会心理压力的关键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
After Eve
The imagery of films both reflected and spurred radical shifts in women’s lives throughout the 20th century. The history of film, and of responses to film, provides evidence of social attitudes and prejudices—those in Hollywood but also regional biases, pertaining to race as well as to gender. Those who were socially denigrated, such as prostitutes, were often treated with a degree of respect in screen narratives. The traditional genres had depended on closure; film, especially post–World War II, featured women and children with complexly difficult lives often lacking neat resolutions. Resnais, Bergman, and Antonioni each focused on women with humdrum rather than heroic lives, and made them the linchpin for studies of the psychological pressures of the modern world.
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