极具创造性的努力:采访音乐学家和默片钢琴家马丁·马克斯

The Soundtrack Pub Date : 2020-11-01 DOI:10.1386/ts_00012_7
Claus Tieber, A. Windisch
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引用次数: 0

摘要

马丁·马克斯在谈论默片音乐方面有着几乎独一无二的地位:他是一位学术音乐家和音乐学者。除了1997年出版的关于默片音乐史的经典著作外,他还定期为默片演奏钢琴伴奏近40年。在这次采访中,我们向马丁询问了在无声电影中选择和创作配乐的挑战和复杂性。马丁讲述了他是如何发现音乐数字的,并阐述了他如何对待音乐数字的决策过程。他的解释中穿插着他实际工作中引人入胜的例子,并以他的学术知识和音乐智慧为基础。他谈到了对已有音乐的使用,以及在电影首次发行几十年后选择音乐的时代错误。总而言之,这次采访提供了详细和有见地的见解,以了解无声电影中伴随音乐数字或其他类型的叙事音乐的困难和乐趣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks
Martin Marks holds an almost unique position to talk about silent film music: he is a scholarly musician and musical scholar. Besides his canonical book on the history of silent film music (1997), he has been playing piano accompaniments for silent films regularly for nearly four decades. In this interview we asked Martin about the challenges and complexities of choosing and creating music to accompany musical numbers in silent cinema. Martin relates how he detects musical numbers and he expounds his decision-making process on how to treat them. His explanations are interspersed with engaging examples from his practical work and based on both his scholarly knowledge and on his musical intelligence. He talks about the use of pre-existing music as well as about anachronisms in choosing music written many decades after a film was first released. In sum, this interview delivers detailed and informed insights into the difficulties and pleasures of accompanying musical numbers or other types of diegetic music in silent cinema.
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