《上帝是女人》MV中的女性主义:多模态批评话语分析

Gema Ariani Rahmawati, Ichwan Suyudi
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引用次数: 0

摘要

音乐作为最大的媒体之一被用来影响观众,在这种情况下,这是女性的写照或女权主义。爱莉安娜·格兰德(Ariana Grande)发布了一首赋予女性权力的歌曲及其名为“描绘女权主义”的音乐视频。本研究的目的是检视爱莉安娜·格兰德的《上帝是女人》MV中对女权主义的刻画。本定性研究的数据采用多模态批评语篇分析(MCDA)进行分析。研究结果表明,《God is a Woman》MV象征着后现代女性主义思想,以Ariana为主要角色,她有表达自己的自由,对自己的身体有完全的权威,有能力或力量对抗父权。此外,该mv还通过描绘女性比男性优越的形象,展现了激进的女权主义思想。Ariana通过传递信息来影响观众,这是一种后现代的女权主义理念和激进的女权主义思想,通过音乐视频作为影响观众的平台。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feminism in God is A Woman MV: A Multimodal Critical Discourse Analysis
Music as one of the largest media is used to influence audiences, which in this case is woman portrayal or feminism. Ariana Grande released a woman empowerement song and its music video entitled that portrays feminism. The goal of this study is to examine the portrayal of feminism in Ariana Grande's God Is a Woman MV. The data in this qualitative research is analyzed using Multimodal Critical Discourse Analysis (MCDA). The findings revealed that the God is a Woman MV symbolizes post-modern feminism ideology, as shown by Ariana as the primary character who has the freedom to express herself, full authority over her body, and the power or strength to confront patriarchy. Furthermore, the music video depicts radical feminism ideology by depicting woman superiority over man. Ariana impact audiences by messages given, which are a post-modern feminist concept and radical feminism ideology, through using music videos as a platform to influence audiences.
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