SPINOZISMO E IRONÍA EN LOS AÑOS CRUCIALES DEL PRIMER ROMANTICISMO

This article analyzes the question of irony in the irruption of early Romanticism, in particular in the work of Friedrich Schegel. It interprets the notion of irony from a poetic and not a strictly philosophical approach, according to the reception model of Spinoza’s work, which, philosophically interpreted by post-Kantian systems, gives results quite different from the aesthetic position from which it is received by the Romantics.