深度音乐的产生缺少了什么?对流行音乐中重复和结构的研究

Shuqi Dai, Huiran Yu, R. Dannenberg
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引用次数: 8

摘要

结构是音乐最重要的方面之一,音乐结构通常通过重复来表示。然而,音乐中重复和结构的本质仍然没有得到很好的理解,特别是在音乐生成的背景下,还有很多有待探索的音乐信息检索(MIR)技术。对两种流行音乐数据集(中国和美国)的分析说明了重要的音乐构建原则:(1)结构存在于多个层次;(2)歌曲使用重复和有限的词汇,因此单个歌曲不遵循歌曲集合的一般统计;(3)结构与节奏、旋律、和声和可预测性相互作用;(4)在歌曲的过程中,重复不是随机的,而是遵循交叉熵所揭示的一般趋势。这些和其他发现为深度学习音乐生成提供了挑战和机会,并提出了新的正式音乐标准和评估方法。我们对来自近期音乐生成系统的音乐进行了分析,并将其与数据集中的人类作曲音乐进行了比较,从结构的角度来看,通常会揭示出惊人的差异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What is missing in deep music generation? A study of repetition and structure in popular music
Structure is one of the most essential aspects of music, and music structure is commonly indicated through repetition. However, the nature of repetition and structure in music is still not well understood, especially in the context of music generation, and much remains to be explored with Music Information Retrieval (MIR) techniques. Analyses of two popular music datasets (Chinese and American) illustrate important music construction principles: (1) structure exists at multiple hierarchical levels, (2) songs use repetition and limited vocabulary so that individual songs do not follow general statistics of song collections, (3) structure interacts with rhythm, melody, harmony, and predictability, and (4) over the course of a song, repetition is not random, but follows a general trend as revealed by cross-entropy. These and other findings offer challenges as well as opportunities for deep-learning music generation and suggest new formal music criteria and evaluation methods. Music from recent music generation systems is analyzed and compared to human-composed music in our datasets, often revealing striking differences from a structural perspective.
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