{"title":"深度音乐的产生缺少了什么?对流行音乐中重复和结构的研究","authors":"Shuqi Dai, Huiran Yu, R. Dannenberg","doi":"10.48550/arXiv.2209.00182","DOIUrl":null,"url":null,"abstract":"Structure is one of the most essential aspects of music, and music structure is commonly indicated through repetition. However, the nature of repetition and structure in music is still not well understood, especially in the context of music generation, and much remains to be explored with Music Information Retrieval (MIR) techniques. Analyses of two popular music datasets (Chinese and American) illustrate important music construction principles: (1) structure exists at multiple hierarchical levels, (2) songs use repetition and limited vocabulary so that individual songs do not follow general statistics of song collections, (3) structure interacts with rhythm, melody, harmony, and predictability, and (4) over the course of a song, repetition is not random, but follows a general trend as revealed by cross-entropy. These and other findings offer challenges as well as opportunities for deep-learning music generation and suggest new formal music criteria and evaluation methods. Music from recent music generation systems is analyzed and compared to human-composed music in our datasets, often revealing striking differences from a structural perspective.","PeriodicalId":309903,"journal":{"name":"International Society for Music Information Retrieval Conference","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":"{\"title\":\"What is missing in deep music generation? A study of repetition and structure in popular music\",\"authors\":\"Shuqi Dai, Huiran Yu, R. Dannenberg\",\"doi\":\"10.48550/arXiv.2209.00182\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Structure is one of the most essential aspects of music, and music structure is commonly indicated through repetition. However, the nature of repetition and structure in music is still not well understood, especially in the context of music generation, and much remains to be explored with Music Information Retrieval (MIR) techniques. Analyses of two popular music datasets (Chinese and American) illustrate important music construction principles: (1) structure exists at multiple hierarchical levels, (2) songs use repetition and limited vocabulary so that individual songs do not follow general statistics of song collections, (3) structure interacts with rhythm, melody, harmony, and predictability, and (4) over the course of a song, repetition is not random, but follows a general trend as revealed by cross-entropy. These and other findings offer challenges as well as opportunities for deep-learning music generation and suggest new formal music criteria and evaluation methods. Music from recent music generation systems is analyzed and compared to human-composed music in our datasets, often revealing striking differences from a structural perspective.\",\"PeriodicalId\":309903,\"journal\":{\"name\":\"International Society for Music Information Retrieval Conference\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"8\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Society for Music Information Retrieval Conference\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.48550/arXiv.2209.00182\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Society for Music Information Retrieval Conference","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.48550/arXiv.2209.00182","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
What is missing in deep music generation? A study of repetition and structure in popular music
Structure is one of the most essential aspects of music, and music structure is commonly indicated through repetition. However, the nature of repetition and structure in music is still not well understood, especially in the context of music generation, and much remains to be explored with Music Information Retrieval (MIR) techniques. Analyses of two popular music datasets (Chinese and American) illustrate important music construction principles: (1) structure exists at multiple hierarchical levels, (2) songs use repetition and limited vocabulary so that individual songs do not follow general statistics of song collections, (3) structure interacts with rhythm, melody, harmony, and predictability, and (4) over the course of a song, repetition is not random, but follows a general trend as revealed by cross-entropy. These and other findings offer challenges as well as opportunities for deep-learning music generation and suggest new formal music criteria and evaluation methods. Music from recent music generation systems is analyzed and compared to human-composed music in our datasets, often revealing striking differences from a structural perspective.