Pramila Giri的艺术创作

Banshi Shrestha
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引用次数: 0

摘要

在六七十年代,欧洲现代艺术的各种新观念和新趋势在尼泊尔艺术中缓慢而高贵地出现。传统的Paubha艺术家和一些高级艺术家,如Chandraman Singh Maskey, Tej Bahadur Chitrakar,在他们的艺术创作中遵循传统的语法,特征和主题。在艺术创作领域几乎没有女性艺术家。后来普拉米拉·吉里和希鲁·帕伊里等一些女性艺术家带着新的现代性思想和观念出现在艺术舞台上。艺术家吉里在她的早期阶段,也遵循传统的方法,但后来她开始尝试和呈现她的新的艺术形式与神话人物和主题。她的分析思考和探索使她在艺术创作中使用了BHAIRAV的各种形式,图像和宗教和神话人物的象征。于是,她开始在她的大画布上呈现人物和形式加上雕塑。这完全是一种高尚的方法和表现。BHAIRAV是一个巨大的恶魔形象,但拥有所有神圣的力量,被认为是湿婆神的化身。红、白、蓝、黑四种颜色分别代表主的化身。因此,如果观众熟悉BHAIRAV勋爵的神话人物,就更容易理解她艺术创作中色彩的使用和人物的呈现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art Creations of Pramila Giri
During the 60s and 70s, various new concepts and trends of European modern arts were slowly and nobly emerging in Nepali Art. Traditional Paubha artists and some senior artists such as Chandraman Singh Maskey, Tej Bahadur Chitrakar were following the conventional grammar, characteristics and themes in their art creations. There were virtually no women artists in the creative art scene. Later Pramila Giri and Shilu Payri along with some other female artists appeared on the art stage with new ideas and concepts of modernity. Artist Giri in her early stage, was also following the conventional approaches, but later she began to experiment and present her new art forms with mythical figures and themes. Her analytical thoughts and search led her to use the various forms, images and symbols of religious and mythical figures of BHAIRAV in her art creations. Thus, she started in presenting the figures and forms plus sculptures on her large size canvas. It was completely a noble approach and presentation. BHAIRAV, a gigantic demonic figure but with all the divine powers is regarded as the incarnation of Lord Shiva. Red, white, blue, black colors are used to represent a chosen incarnation of the Lord. Thus, if the viewers are familiar with the mythical figures of Lord BHAIRAV, it will be easier to understand the use of colours and the presentations of the figures in her art creations.
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