{"title":"惊心动魄的歌剧:卡斯帕·霍尔顿的《胡安》中思想与媒介的冲突","authors":"Axel Englund","doi":"10.1163/9789004401310_015","DOIUrl":null,"url":null,"abstract":"The present paper takes a look at the relation between opera and film through the lens of Danish director Kasper Holten’s movie debut Juan (2010), a 90-minute screen adaptation of Don Giovanni. Tri ...","PeriodicalId":318963,"journal":{"name":"Music, Narrative and the Moving Image","volume":"99 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan\",\"authors\":\"Axel Englund\",\"doi\":\"10.1163/9789004401310_015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present paper takes a look at the relation between opera and film through the lens of Danish director Kasper Holten’s movie debut Juan (2010), a 90-minute screen adaptation of Don Giovanni. Tri ...\",\"PeriodicalId\":318963,\"journal\":{\"name\":\"Music, Narrative and the Moving Image\",\"volume\":\"99 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music, Narrative and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/9789004401310_015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music, Narrative and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004401310_015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan
The present paper takes a look at the relation between opera and film through the lens of Danish director Kasper Holten’s movie debut Juan (2010), a 90-minute screen adaptation of Don Giovanni. Tri ...
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