巴别塔中的自我、社会和压抑:精神分析的视角

A. Iqbal
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引用次数: 2

摘要

由于主流研究倾向于忽视媒体如何描述现代社会中自我与社会关系以及快乐与现实二元论的社会学问题,本文通过运用精神分析的视角分析获奖电影《通天塔》来探讨这一重要问题。本文通过对影片故事情节的文本分析,认为《通天塔》不仅实质性地表现了自我与社会的关系,而且描绘了自我与社会之间持续的张力和二元性。这可以从书中人物的故事情节中看出,这些故事情节说明了性冲动与社会规范之间的关系。为了社会利益和文化生产,快乐被外部现实所压抑,性被社会认可的性规范所压抑。自我必须试图在力比多欲望和社会控制之间取得平衡,以进入社会世界的常态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Self, Society, and Repression in Babel: A Psychoanalytic Perspective
As the prevailing studies tend to neglect how media depict the sociological question about the relationship between self and society and the dualism between pleasure and reality in modern society, this article examines this important issue by analyzing the award-winning film Babel by using a psychoanalytic perspective. Based on textual analysis of the film’s storylines, this article argues that Babel not only substantially represents the relationship between self and society, but also depicts the continuing tension and dualism between them. This is seen in the storylines of its characters that illustrate the relationship between sexual drives and social regulations. For the sake of social interests and cultural production, pleasure is repressed by external reality and sexuality is repressed through socially sanctioned sexual regulations. The self must attempt to balance between libidinal desire and social control to enter the normality of the social world.
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