俄国启蒙时代道德观念的象征形式

T. Artemyeva
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引用次数: 1

摘要

这篇文章是专门讨论启蒙运动时期俄国道德哲学的。作者指出,俄罗斯社会结构复杂,因此存在多种哲学和伦理模式。有三个知识网络与三个重要的精英机构有关:学术界,东正教会和贵族。在学术环境中,伦理学在形而上学的语境中被研究为灵魂不朽、预先确立的和谐、神正论等问题。“实践哲学”的问题,例如法律的道德方面,也在学术机构进行了研究。东正教和贵族社会经常使用抽象概念的隐喻形式和它们的视觉形式作为插图。道德理论表现为美德与罪恶的对立以及对公民美德的强调。符号作为一种视觉符号,以其约定俗成的内容来表现哲学和道德观念。作者以徽章书、东正教版本、民间仪式为例,分析了美德与罪恶形象化的方法,展示了统治精英认可的样本。伊丽莎白·彼得罗夫娜和叶卡捷琳娜二世的加冕典礼被仔细研究。在哲学史和道德思想史的背景下,许多资料都是第一次使用。认为视觉传达是创造以符号为语义单位的“文化文本”的重要途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emblematic Forms of Moral Concepts in the Epoch of Enlightenment in Russia
The article is devoted to Russian moral philosophy in the Enlightenment. The author notes the complex structure of Russian society and, as a consequence, co-existence of several philosophical and ethical models. There were three intellectual networks in relation to three important elite institutions: academics, the Orthodox Church, and the nobility. Inside the academic milieu, ethics was studied in the metaphysical context as the problem of the immortality of the soul, the pre-established harmony, theodicy, etc. The problems of “practical philosophy”, for example, moral aspects of law, were also studied at academic institutions. The Orthodox Church and noble societies often used metaphorical forms of abstract ideas and their visual forms for illustrations. Moral theory was represented by oppositions of virtues and vices as well as accentuations of civic virtues. Emblems were used as visual codes to represent philosophical and moral concepts with their conventional content. The author analyzes ways of virtues and vices visualization using examples from emblem books, Orthodox editions, and civil ceremonies which demonstrated samples approved by the ruling elite. Elisabeth Petrovna’s and Catherine II’s coronations are carefully studied. Many sources are used for the first time in the context of history of philosophy and the moral thought. It is concluded that the visual communication was an important way to create “texts of culture” with emblems as their semantical units.
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