James Armstrong, Peter C. Lutze, Laura Woodworth-Ney
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Between 1894 and 1920, a land rush to the arid western United States occurred as private investors and the federal government built irrigation projects to reclaim the sagebrush desert for farmland. Both men and women settlers contributed to the culture of the early communities, the men with a vision of an irrigated Utopia (Smythe, 1895) and the women with literary endeavors and civic participation (Woodworth-Ney, in progress-b). In responding to the landscape and to the creative work of the early settlers, such as Clarence E. Bisbee, Annie Pike Greenwood, Mary Hallock Foote, and numerous clubwomen, we have deepened our sense of belonging to this place. Our work is both professional and personal. Through this project, each of us has developed new ideas about working within our disciplines and discovered creative ways to engage the history and geography of southwestern Idaho. 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引用次数: 0
摘要
开垦文化(Armstrong, Lutze, & Woodworth-Ney,正在进行中)是一系列关于爱达荷州的“视频诗歌”,将诗歌,历史照片,音乐和录像结合在一起,其中还包括历史叙述。三位爱达荷州的历史、文化教育和交流领域的学者——历史学家劳拉(Laura)、诗人杰米(Jamie)和摄像师彼得(Peter)——合作完成了这个跨学科的项目,以一种创造性的、引人入胜的媒介来回顾这个州的一部分历史。“开垦文化”表达了对Snake河和Boise河沿岸早期灌溉定居社区文化的回应。1894年至1920年间,私人投资者和联邦政府修建灌溉工程,将山艾树沙漠开垦为农田,引发了对干旱的美国西部的土地热潮。男性和女性定居者都对早期社区的文化做出了贡献,男性有一个灌溉乌托邦的愿景(Smythe, 1895),女性有文学上的努力和公民参与(Woodworth-Ney, in progress-b)。在回应景观和早期定居者的创造性工作时,如克拉伦斯·e·比斯比、安妮·派克·格林伍德、玛丽·哈洛克·富特和许多俱乐部女性,我们加深了对这个地方的归属感。我们的工作既专业又个人化。通过这个项目,我们每个人都在我们的学科范围内发展了新的想法,并发现了创造性的方法来参与爱达荷州西南部的历史和地理。我们的项目只是来自不同领域的大学教师在基于艺术的学术项目上合作的潜力的一个例子。根据Diamond和Mullen的观点,“基于艺术的探究是为了探究而追求的艺术,而不是为了艺术本身”(1999年,第25页)。我们还希望我们的项目能够成为中学跨学科项目的原型。我们希望在未来启发和启发学生用想象力和历史记录探索过去。
Developing a Culture of Reclamation: Integrating History, Poetry and Video
Culture of Reclamation (Armstrong, Lutze, & Woodworth-Ney, in progress) is a sequence of “videopoems” about Idaho, integrating poetry, historical photographs, music and videography in a video presentation, which also includes historical narrative. Three Idaho scholars in the fields of history, literacy education, and communication—the historian (Laura), poet (Jamie), and videographer (Peter)—collaborated on this crossdisciplinary project to reclaim a portion of the history of this state in a creative and engaging medium. Culture of Reclamation expresses a response to the culture of the early irrigated settlement communities along the Snake and Boise rivers. Between 1894 and 1920, a land rush to the arid western United States occurred as private investors and the federal government built irrigation projects to reclaim the sagebrush desert for farmland. Both men and women settlers contributed to the culture of the early communities, the men with a vision of an irrigated Utopia (Smythe, 1895) and the women with literary endeavors and civic participation (Woodworth-Ney, in progress-b). In responding to the landscape and to the creative work of the early settlers, such as Clarence E. Bisbee, Annie Pike Greenwood, Mary Hallock Foote, and numerous clubwomen, we have deepened our sense of belonging to this place. Our work is both professional and personal. Through this project, each of us has developed new ideas about working within our disciplines and discovered creative ways to engage the history and geography of southwestern Idaho. Our project represents just one example of the potential for university faculty from different field to collaborate on arts-based scholarly projects. According to Diamond and Mullen, “Arts-based inquiry is art pursued for inquiry’s sake, not for art’s own sake” (1999, p. 25). We also intend our project to serve as a prototype for cross-disciplinary projects in secondary schools. We hope to inform and inspire students in the future to explore the past with imagination as well as historical records.