为阿卜杜·拉赫曼亲王的建筑进行新的文献阅读,将其作为关于男女平等和男女平等的的花库。

Mohammed Abdel Hafiz
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引用次数: 0

摘要

在奥斯曼帝国时期,埃米尔在爱资哈尔清真寺进行的建筑是爱资哈尔历史上最重要的翻新和扩建工程之一。本文结合新的档案资料对这些工作进行了聚焦。该研究通过文献和资料,对埃米尔·阿卜杜勒·拉赫曼·卡特库达在爱资哈尔清真寺进行的二十六项建筑作品进行了新的解释。其中11个位于西北“巴哈里”一侧,包括Bab al-Muzainin,以及重建的Taybersya medrese和al- wenya Zawiya。此外,位于“qibli”东侧的15座建筑作品,包括奥斯曼帝国的riwaq, sebil,陵墓,al-Sa 'ida, al-Shurba和al-Harameen的大门,两座宣礼塔,以及al-Sa 'ida, al-Haramen和al-Takarneh的riwaq。本研究讨论了埃米尔·阿卜杜勒·拉赫曼·卡特胡达的建筑作品和装修之外的动机,以及他面临的挑战。本文分析了这些建筑作品的发展阶段;以及他们的成立日期。阅读的结论是,存在一个简单的版本,以取代Abd al-Rahman Katkhuda以相同的名字重建的新版本。因此,他拆除了旧的巴孛,并以一个新的发展形式重建了它。本文重点介绍了Abd al-Rahman Katkhuda的作品,这些作品与Al-Azhar清真寺合并。最后,本研究在法学语境下展示了这些增建和翻新的能力,并在最后解释了该赞助人墓的装饰现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
قراءة وثائقية جديدة لعمارة الأمير عبد الرحمن كتخدا بالجامع الأزهر THE ARCHITECTURAL UPGRADE OF EMIR ABD AL-RAHMAN KATKHUDA ON AL-AZHAR MOSQUE RECONSIDERED
The architecture carried out by the Emir Abd al-Rahman Katkhuda al-Qazdaghli at the Al-Azhar Mosque during the Ottoman era is one of the most important renovation and enlargement works that took place in Al-Azhar throughout its history. This paper focuses these works considering new archival data. The study presents, through documents and sources, a new interpretation of twenty-six architectural works carried out by Emir Abd al-Rahman Katkhuda at the Al-Azhar Mosque. Among which there are eleven located on the NW “bahari” side, including Bab al-Muzainin, and the reconstruction of the Taybersya medrese and the al-Wena’iya Zawiya. In addition to, fifteen architectural works located on the SE “qibli” side, comprising the Ottoman riwaq, the sebil, the mausoleum, the gates of al-Sa’ida, al-Shurba and al-Harameen, two minarets, and the riwaqs of al-Sa’ida, al-Haramen, and al-Takarneh. The study discusses the motives beyond the architectural works and renovations of Emir Abdul Rahman Katkhuda, and the challenges he faced to do. The paper analyses the stages of these architectural works; along with their date of foundation. The reading concludes that a simple version of the Bab al-Muzainin was existed in place of the new one reconstructed by Abd al-Rahman Katkhuda with the same name. Thus, he demolished the older Bab and rebuilt it with a new developed form as exists. The paper highlights the Abd al-Rahman Katkhuda’s works, and these works have merged with Al-Azhar Mosque. Finally, the study shows the competence of these additions and renovations with the jurisprudence context, and concludes explaining the decorative phenomena of that patron’s tomb.
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