兰布独奏与印尼帕洛坡托拉加族穆斯林的社会动态

Nuryani, S. Rahman, Susi Susanti
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摘要

这是一项探索性和建构性的研究,因为它关注的是兰布独奏传统和拉雷-拉雷村托拉贾民族社区的社会动态。提出的问题包括兰布独奏游行如何进行,以及这一传统如何影响托拉贾民族社区的社会动态。这项研究是定性的,因为它使用了现象学的方法。通过观察、访谈和文献技术收集数据。研究结果表明:第一,Lare-Lare村兰布独奏死亡传统仪式的进行过程经历了实施前、实施中、实施后的几个阶段。在前期实施中,托拉加族社区成立委员会,准备拉克琴,并将兰塘作为客人休息的地方。在通科南传统房屋的中间进行Rante(葬礼)游行,包括Ma' tuudan Mebalun(把尸体装饰得像新娘一样),Ma'rato(装饰棺材),Ma'papengkalao Alang(把尸体放进谷仓里埋葬),Ma'palao/Ma'pasonglo(把尸体从通科南送到墓地,称为Lakkian), Ma'pasilaga Tedong和Ma'Badong(战斗水牛)的传统艺术表演,和马廷戈罗特东(屠宰水牛)在实施阶段。在实施后,委员会被解散,仪式设施被拆除,随后是Ma'pakendek Tanduk Tedong传统(将水牛角举到tongkonan前面)。这个水牛角饰品象征着主人的经济能力。其次,由于托拉贾族经历了社会因素的转变,兰布独奏的实施对托拉贾族社区产生了积极和消极的影响。实施这一传统仪式的积极影响是成为遥远家庭之间的团结者,并在家庭之外发展文化元素。与此同时,负面影响是由于处理兰布独奏传统的家庭经济弹性问题,可能会侵蚀亲属关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rambu Solo and the Social Dynamics of Toraja Ethnic Muslims in Palopo, Indonesia
This is exploratory and constructionist research since it focuses on the Rambu Solo tradition and the social dynamics of the Toraja ethnic community in Lare-Lare Village. The problems proposed include how the Rambu Solo procession takes place and the way this tradition affects the social dynamics of the Toraja ethnic community. This research is qualitative since it uses a phenomenological approach. Data were collected through observation, interview, and documentation techniques. The results showed that, First, the procession of the Rambu Solo death traditional ceremony in Lare-Lare Village passes through several stages including the pre-implementation, implementation, and the post-implementation. In the pre-implementation, the Toraja ethnic community forms a committee and prepares Lakkian with Lantang as a resting place for guests. A Rante (funeral) procession is carried out in the middle of the tongkonan traditional house, including Ma'tudan Mebalun (decorating the corpse like a bride), Ma'rato (decorating the coffin), Ma'papengkalao Alang (lowering the corpse into the barn to be buried), Ma'palao/Ma'pasonglo (delivering the corpse from the tongkonan to the burial area called Lakkian), traditional art performances of Ma'pasilaga Tedong and Ma'Badong (fighting buffalo), and Ma'tinggoro Tedong (slaughtering buffalo) at the implementation stage. In the post-implementation, the committee is disbanded and the ceremonial facilities are dismantled followed by the Ma'pakendek Tanduk Tedong tradition (raising a buffalo horn to the front of the tongkonan). This buffalo horn ornament symbolizes the economic capacity of the owner. Second, the implementation of Rambu Solo causes positive and negative impacts on the Toraja ethnic community since it has experienced a shift in social elements. The positive impact of implementing this traditional ceremony is to become a unifier between distant families and to develop cultural elements outside the home. Meanwhile, the negative impact is the potential for eroding kinship ties due to problems of family economic resilience dealing with the Rambu Solo tradition.
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