牙买加·金凯德的《露西》(1990)中作为混合女权主义认识论平台的跨文化成长小说:统一女权主义运动的(不)可能性

Giorgia Scribellito
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摘要

摘要本文以巴赫金对成长类型的描述为基础,从跨文化成长小说的角度来分析牙买加·金凯德的《露西》(1990)。它注重人物之间的关系,突出了截然不同的女权主义观点之间的紧张关系。为了强调跨文化视角如何有助于对社会的创新,本文认为小说的同名主人公必须找到一种方法,以她自己的女权主义和后殖民主义的方式调和美国文化与她的安提瓜文化-一种跨文化视角。一方面,露西和她的雇主玛丽亚之间的关系反映了第二波和第三波女权主义之间的紧张关系,女主角最终调和了这两种紧张关系,为女权运动的统一愿景开辟了道路。露西的后殖民愿景,尤其与加亚特里·查克拉沃蒂·斯皮瓦克所阐述的相似。另一方面,露西和她母亲之间的紧张关系与女主角对贝蒂·弗里丹和其他20世纪60年代和70年代女权主义理论家所阐述的第二波女权主义观点的支持有关。总的来说,这部小说为全球女权运动发展了一个重要的愿景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The intercultural Bildungsroman as a platform for a hybrid feminist epistemology in Jamaica Kincaid’s Lucy (1990): The (im)possibility of a unified feminist movement
Abstract This article analyzes Lucy (1990) by Jamaica Kincaid in terms of the intercultural Bildungsroman basing on Mikhail Bakhtin’s characterization of the coming-of-age genre. Focusing on the relationship between the characters, it highlights the tension between contrasting feminist views. Seeking to emphasize how an intercultural vision contributes innovative perspectives on society, this paper argues that the eponymous protagonist of the novel has to find a way to reconcile the American culture with her Antiguan culture in her own feminist and postcolonial terms -an intercultural perspective. On the one hand, the relationship between Lucy and Mariah—her employer—reflects a tension between second-wave and third-wave feminism, which, the heroine eventually reconciles opening up the path for a unified vision of the feminist movement. Lucy’s postcolonial vision, in particular, is similar to that articulated by Gayatri Chakravorty Spivak. On the other hand, the strain between Lucy and her mother is related to the heroine’s endorsement of second-wave feminist views as articulated by Betty Friedan and other feminist theorists of the 1960s and 1970s. In general, this novel develops an important vision for the global feminist movement.
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