Genre division of Pansori Nun dae mok and the task of modern re-creation: Focusing on ‘Sarangga’ in Pansori

The purpose of this study is to seek the task of genre differentiation and re-creation of Pansori, paying attention to the ‘Love song’ of , which was developed through the deonum of several master singers. Today, Pansori ‘Sarangga’ is performed along with traditional Pansori in Gayageum Byeongchang, Changgeuk, crossover, fusion Korean music, and fusion genres. The details from the perspective of Pansori 'typical' are as follows. First, among the editorials of ‘Jajinsarangga’ handed down through the deonum(더늠) of Go Soo-gwan, ‘Eumsik Taryeong(음식타령)’ is sung by all singers regardless of school. Second, as a result of examining the musical characteristics, the buchimsae(부침새) and melodic composition of the lyrics were maintained without change in the same genealogy, and there were differences among the genealogies of different genealogies. However, the cadence of the melody appeared the same regardless of the class or genre. Third, Gayageum Byeongchang and Changgeuk, which are derived from genres of Pansori, maintained the lyrics as typical, and Gayageum Byeongchang had a change in melodic progression. Fourth, in the case of crossover, fusion Korean music, and fusion genres grafted with Pansori, the composition method of ‘Aniri-Chang’ was maintained in common, and there were differences by singers in melody or rhythm. The task of recreating Pansori in the 21st Century begins with identifying the elements of archetype. For the development of Pansori, traditional pansori must be handed down in its original form, and the typical elements that represent the essential characteristics of pansori must be maintained in grafting with other genres including creative Pansori and Gayageum Byeongchang. When the identity of Pansori-likeness is maintained, the meaning of re-creation as a modern transmission of Pansori can be secured. In the future, Pansori can spread in various aspects to create modern performing arts and be incorporated into the performance field. And I hope that related follow-up studies will continue.