修正意大利文化企业的会计与品牌:无形资产

A. Besana, C. Gabbioneta, Chiara de Capoa
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引用次数: 0

摘要

为了增加门票收入和吸引现代文化公司的私人捐款,什么是一个强有力的信号?无形资产。虽然门票收入没有减少,但意大利政府并没有失去他的社会父亲的天赋,他照顾着表演和视觉艺术等优秀产品。尽管意大利文化公司鼓励资助倡议和利益相关者,如银行基金会、私人公民和企业家,但他们正在进行甜蜜的私有化。他们对意大利的私人艺术融资缺乏信心,总是把文化产品视为意大利传统和历史的基础,他们不会大力投资筹款和广告活动,从根本上说,他们只相信国家和地方政府的资金。为了实现切实的私有化,修改通信和会计惯例可能是一条良性轨道。在这里,它给出了意大利文化基金会的策略和表现的证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Revising Accounting and Branding of Italian Cultural Firms: Intangible Assets
What can be a strong signal in order to increase ticket revenues and attract private contributions in modern cultural firms? Intangible Assets.Though ticket revenues have not declined, the Italian State has not lost his aptitude of social father, taking care of merit goods such as Performing and Visual Arts. Though they are encouraging grant-making initiatives and stakeholders such as Banking Foundations, private citizens and entrepreneurs, Italian Cultural Firms are getting on a sweet privatization. Not confident of the Italian private vocation for arts financing and always estimating cultural goods as fundamentals of the Italian tradition and history, they don’t strongly invest in fundraising and advertising campaigns, in ultimate sense, intangibles and they only trust State and Local Administrations Funding.Revising communication and accounting practices could be a virtuous track in order to get on a tangible privatization.Here, it is given evidence of strategies and performance of Italian Cultural Foundations.
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