{"title":"全黑人漫画和第一位非裔美国超级英雄狮人的诞生","authors":"Blair Davis","doi":"10.1353/ink.2019.0023","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In 1947, Orrin C. Evans published the first and only issue of All-Negro Comics, a comic book created exclusively by black writers and artists and featuring black characters throughout. This essay contextualizes the book within the history of African American comics characters and details the ways in which its key character, Lion Man, is a pioneering black superhero—appearing decades prior to Marvel's Black Panther and The Falcon. In examining how All-Negro Comics offered readers a unique chance to see black identity represented in authentic ways, this essay exposes the ways in which the comics industry was home to systemic forms of discrimination that put a quick end to Evans' efforts at making comics.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"All-Negro Comics and the Birth of Lion Man, the First African American Superhero\",\"authors\":\"Blair Davis\",\"doi\":\"10.1353/ink.2019.0023\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:In 1947, Orrin C. Evans published the first and only issue of All-Negro Comics, a comic book created exclusively by black writers and artists and featuring black characters throughout. This essay contextualizes the book within the history of African American comics characters and details the ways in which its key character, Lion Man, is a pioneering black superhero—appearing decades prior to Marvel's Black Panther and The Falcon. In examining how All-Negro Comics offered readers a unique chance to see black identity represented in authentic ways, this essay exposes the ways in which the comics industry was home to systemic forms of discrimination that put a quick end to Evans' efforts at making comics.\",\"PeriodicalId\":392545,\"journal\":{\"name\":\"Inks: The Journal of the Comics Studies Society\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inks: The Journal of the Comics Studies Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ink.2019.0023\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inks: The Journal of the Comics Studies Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ink.2019.0023","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
摘要
摘要:1947年,Orrin C. Evans出版了第一期也是唯一一期《全黑人漫画》,这是一本由黑人作家和艺术家创作的漫画书,自始至终都以黑人角色为主角。这篇文章将这本书置于非裔美国漫画人物的历史背景中,并详细介绍了它的关键人物狮子人是一位开创性的黑人超级英雄的方式-比漫威的黑豹和猎鹰早出现几十年。在研究《全黑漫画》如何为读者提供了一个独特的机会,让他们看到黑人身份以真实的方式呈现出来,这篇文章揭示了漫画行业是如何成为系统性歧视的家园,这种歧视很快结束了埃文斯创作漫画的努力。
All-Negro Comics and the Birth of Lion Man, the First African American Superhero
ABSTRACT:In 1947, Orrin C. Evans published the first and only issue of All-Negro Comics, a comic book created exclusively by black writers and artists and featuring black characters throughout. This essay contextualizes the book within the history of African American comics characters and details the ways in which its key character, Lion Man, is a pioneering black superhero—appearing decades prior to Marvel's Black Panther and The Falcon. In examining how All-Negro Comics offered readers a unique chance to see black identity represented in authentic ways, this essay exposes the ways in which the comics industry was home to systemic forms of discrimination that put a quick end to Evans' efforts at making comics.