在德意志民主共和国和德意志联邦共和国重演。以演员为中心的研究

Juliane Tomann, Torsten Kathke, Mirko Uhlig
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引用次数: 0

摘要

虽然英美重演场景的形成阶段已经得到了很好的研究,但作为一种可视化过去的流行文化实践,重演的历史化在欧洲仍然很大程度上缺乏。特别是,人们对东德和西德的发展知之甚少。这是我们文章的出发点,这篇文章提供了两个德国国家发展的初步重建和分类,特别是在20世纪70年代和80年代获得了动力。我们的重点是当代行动者的主观经验,在此基础上,我们追溯了对两个德意志国家的历史感兴趣的不同群体是如何形成和巩固的,以及他们在哪些方面相似或不同。它还揭示了人们行为的政治和日常条件。在这些以行动者为中心的初步探索的基础上,本文提请注意进一步研究的需要,并为这一领域的未来研究提出了研究问题- -例如,关于重演场景的跨国关系和网络以及统一后时期的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reenactment in the GDR and the FRG. An Actor-centered Study
While the formative phase of the Anglo-American reenactment scene has already been well researched, a historicisation of reenactments as a popular cultural practice of visualising the past is still largely lacking for Europe. In particular, little is known about the developments in East and West Germany. This is the starting point for our article, which provides an initial reconstruction and classification of the developments in the two German states, which gained momentum especially in the 1970s and 1980s. Our focus is on the subjective experience of contemporary actors, on the basis of which it we trace how various groups of people interested in history in the two German states formed and consolidated and in which ways they were similar or different. It also sheds light on the political and everyday conditions under which people acted. On the basis of these initial actor-centered explorations, the text draws attention to desiderata for further research and suggests research questions for future studies in this field – for example with regard to the transnational relationships and networks of both reenactment scenes and the developments during the post-reunification period.
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