Marginalia

J. Ciardi
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引用次数: 0

摘要

音乐的音调、情绪、音高、节奏、节拍、大调或小调都直接影响敬拜者的参与。打印出来的赞美诗文本甚至无法开始描述伴随音乐所经历的所有因素和感受。在一篇敏锐的序曲中,Jennifer Wakeling提出了“基督教崇拜中无文本音乐的一般神学符号结构”,因为“当无文本音乐作为一个独立的行为在基督教崇拜中表演时,它拥有作为一种象征的能力,通过这种象征,基督教的意义可以在体验、反思和变革的层面上产生。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marginalia
Musical tone, mood, pitch, rhythm, meter, major or minor key all directly affect worshipers’ involvement. A printout hymn text could not even begin to describe all the factors and feelings experienced by the accompanying music. In a deeply percipient overture, Jennifer Wakeling proposes “a general theological symbolic structure of textless music in Christian worship” because “when textless music is performed as a stand-alone act in Christian worship, it possesses the capacity to function as a symbol through which Christian meaning can be generated at experiential, reflective, and transformative levels.”
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