医生、毒品和危险

Mark A. Sulzer, Lauren Colley, M. Hellman, Tom J. Lynch
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引用次数: 0

摘要

长期以来,青少年文学研究一直关注权力、意识形态和叙事之间的相互关系。利用这一学术成果,我们研究了一篇关于鸦片流行的非虚构文本。运用批判性比较内容分析(CCCA),本研究考察了《梦幻之地》(原作)和《梦幻之地》(青少年改编版)的差异,以便更好地理解当年轻人成为想象中的观众时,文本表征的性质发生了变化。我们发现,在《梦境》的青年改编中,隐含的青年读者(a)提供的关于阿片类药物流行的信息较少,这些信息也以更简单的结构传递;(b)在言辞上与可能被认为令人讨厌的人保持更大的距离,(c)对鸦片类药物的流行持更乐观的看法,认为是取得了进展,而不是需要采取行动。因此,青年版的《梦境》将青年定位为需要朴素、保护和乐观。我们的分析表明,隐含的青年读者是青春期话语的文本副产品。随着青少年改编小说在青少年文学市场上继续占据突出地位,学者和教师应该批判性地思考青少年文学出版业如何将青少年定位为读者和思想家。接下来的步骤包括通过CCCA关注隐含(青年)读者的额外研究,以及涉及初中和高中教育学生(这些文本的真正读者)的研究。这项研究还补充了对山姆·奎诺内斯(Sam Quinones)的采访,他是《梦境》原版的作者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Doctors, Drugs, and Danger
  Scholarship on young adult (YA) literature has long attended to the interrelationship of power, ideology, and narrative. Drawing on this scholarship, we examined a nonfiction text about the opiate epidemic. Using critical comparative content analysis (CCCA), our study examined differences in Dreamland (the original version) and Dreamland (the young adult adaptation) to better understand the changing nature of textual representation when youth become the imagined audience. We found that in the youth adaptation of Dreamland, the implied youth reader is (a) provided less information about the opiate epidemic, which is also delivered in a simpler structure; (b) kept at a greater rhetorical distance from people who might be deemed unsavory, and (c) given a more optimistic view of the opiate epidemic in terms of progress achieved rather than action needed. The youth adaptation of Dreamland, therefore, positions youth as needing simplicity, protection, and a sense of optimism. Our analysis demonstrates how the implied youth reader is a textual byproduct of discourses of adolescence/ts. As youth adaptations continue their prominence in the YA marketplace, scholars and teachers should critically engage how youth are positioned as readers and thinkers by the YA publishing industry. Next steps involve additional studies that focus on the implied (youth) reader through CCCA and studies that involve middle and secondary education students, the real readers of these texts. This study is supplemented by an interview with Sam Quinones, the author of the original version of Dreamland. 
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