Břetislav Horyna
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摘要

例如,《普罗米修斯的研究》松散地遵循了汉斯·布鲁门伯格的神话理论的中心主题,普罗米修斯的性格以及普罗米修斯在科学和想象文学(诗歌和戏剧)中的概念。其目的并不是对布鲁门伯格划时代的著作《论神话》(1979)中所总结的普罗米修斯主题的所有变化进行详尽的反映。作者从古希腊文学(赫西俄德、埃斯库罗斯)和现代主义之交德国“风暴与激浪”运动(歌德)中关于普罗米修斯神话的作品中选取了一些主题。人们最关注的是一个被称为“远距离行动”(action per distans)的虚构人物,以及它的变化,从人与神之间的距离,到人与神之间的距离,再到一个年老的诗人与他不再属于的时代精神(Zeitgeist)的距离。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga
The Study Prometheus, for example loosely follows up the central theme of Hans Blumenberg’s theory of myth and mythology, the character of Prometheus and Promethean conceptions in scientific as well as imaginative literature (poetry and drama). The aim is not an elaborate reflection of all the variations on Promethean themes that were summarized in Blumenberg’s epochal book Work on Myth (1979). The author rather selects some themes from the works on the myth about Prometheus in Classical Greek literature (Hesiod, Aeschylus) and, at the turn of modernism, in German movement Sturm und Drang (Goethe). Most attention is paid to a fictional figure known as actio per distans (action at distance, with keeping a distance) and its variations from the distance between people and gods through the distance between people to the distance of an ageing poet from spirit of the age (Zeitgeist), to which he no longer belongs.
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