{"title":"牛津英语词典和乔治·奥彭的离散系列","authors":"C. Dworkin","doi":"10.2307/j.ctv11990qk.6","DOIUrl":null,"url":null,"abstract":"Chapter 3 focuses on George Oppen’s first two books, the lost 21 Poem (discovered in 2017) and Discrete Series (published in 1934). Considered by critics to be inscrutably gnomic, unrelated, and discontinuous (indeed, “discrete”) a reconstruction of Oppen’s source text—the Oxford English Dictionary, which had been completed to much celebration in 1928 just as Oppen was writing his poems—reveals his exhaustive inclusion of even the specialist definitions of certain key words. In addition to establishing continuities among the putatively discrete poems, the chapter offers fresh historical readings of modern mechanism (automobiles and elevators) that populate his poems and that served in turn, for William Carlos Williams, as the figure for the poems’ own lexical machinations. Furthermore, the logic of the signifier that structures the dictionary reveals an unexpected self-portraiture at work, across Oppen’s œuvre, in certain figures of glass enclosures and windows.","PeriodicalId":143594,"journal":{"name":"Dictionary Poetics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Oxford English Dictionary and George Oppen’s Discrete Series\",\"authors\":\"C. Dworkin\",\"doi\":\"10.2307/j.ctv11990qk.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 3 focuses on George Oppen’s first two books, the lost 21 Poem (discovered in 2017) and Discrete Series (published in 1934). Considered by critics to be inscrutably gnomic, unrelated, and discontinuous (indeed, “discrete”) a reconstruction of Oppen’s source text—the Oxford English Dictionary, which had been completed to much celebration in 1928 just as Oppen was writing his poems—reveals his exhaustive inclusion of even the specialist definitions of certain key words. In addition to establishing continuities among the putatively discrete poems, the chapter offers fresh historical readings of modern mechanism (automobiles and elevators) that populate his poems and that served in turn, for William Carlos Williams, as the figure for the poems’ own lexical machinations. Furthermore, the logic of the signifier that structures the dictionary reveals an unexpected self-portraiture at work, across Oppen’s œuvre, in certain figures of glass enclosures and windows.\",\"PeriodicalId\":143594,\"journal\":{\"name\":\"Dictionary Poetics\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-05-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dictionary Poetics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv11990qk.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dictionary Poetics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv11990qk.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
第三章重点介绍乔治·奥彭的前两本书,即丢失的《21首诗》(2017年发现)和《离散系列》(1934年出版)。批评家们认为奥本的原文是晦涩难懂的,不相关的,不连续的(事实上,是“离散的”)。1928年,奥本写诗的时候,《牛津英语词典》完成了,这引起了许多人的庆祝。除了在假定的离散诗歌之间建立连续性之外,这一章还提供了对现代机械(汽车和电梯)的新鲜历史解读,这些机械充斥着他的诗歌,而这些机械反过来又为威廉·卡洛斯·威廉姆斯(William Carlos Williams)的诗歌提供了自己的词汇机制。此外,词典结构的能指逻辑在工作中揭示了一种意想不到的自画像,通过Oppen的œuvre,在某些玻璃外壳和窗户的图形中。
The Oxford English Dictionary and George Oppen’s Discrete Series
Chapter 3 focuses on George Oppen’s first two books, the lost 21 Poem (discovered in 2017) and Discrete Series (published in 1934). Considered by critics to be inscrutably gnomic, unrelated, and discontinuous (indeed, “discrete”) a reconstruction of Oppen’s source text—the Oxford English Dictionary, which had been completed to much celebration in 1928 just as Oppen was writing his poems—reveals his exhaustive inclusion of even the specialist definitions of certain key words. In addition to establishing continuities among the putatively discrete poems, the chapter offers fresh historical readings of modern mechanism (automobiles and elevators) that populate his poems and that served in turn, for William Carlos Williams, as the figure for the poems’ own lexical machinations. Furthermore, the logic of the signifier that structures the dictionary reveals an unexpected self-portraiture at work, across Oppen’s œuvre, in certain figures of glass enclosures and windows.