圣经形象在导演o. korŠunovas表演《殉道者》中的运用

Asta Valiukaitė
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引用次数: 0

摘要

本文的主要目的是探究奥斯卡·科尔苏诺瓦斯的戏剧《殉道者》中圣经形象的作用原理。本文提到的这部戏剧(改编自德国现代戏剧家马里乌斯·冯·马耶恩堡的戏剧)被选为考察圣经形象的合适例子:它反映了基督教的主要形象之一——殉道者的形象。剧本分析包括导演O. Korsunovas运用的后现代主义美学原则。这几乎是第一次尝试讨论圣经形象在立陶宛当代戏剧中的影响,以标记未来在这一方向上的可能性,特别是与戏剧中使用的宗教或圣经形象有关,这些形象被定义为后现代主义美学的一部分
本文章由计算机程序翻译,如有差异,请以英文原文为准。
BIBLICAL IMAGES IN THE DIRECTORS O. KORŠUNOVAS PERFORMANCE “MARTYR”
The main objective of this article is to detect the principles of the effect of Biblical images in the play “Kankinys” (“Martyr”) of Oskaras Korsunovas. The play mentioned (based on the play of modern German dramatist Marius von Mayenburg) was chosen as a suitable one to examine Biblical images: it reflects one of the main images of Christianity – the image of Martyr. The play analysis includes the principles of postmodernistic aesthetics applied by director O. Korsunovas. This is almost the first attempt to discuss the effect of Biblical images in Lithuanian contemporary theatre in order to mark future possibilities to work in this direction, especially relating to religious or Biblical images used in plays defined as a part of postmodernistic aesthetics
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