{"title":"Homoseksualnost i rodni identitet u suvremenoj hrvatskoj drami","authors":"Gabrijela Bionda","doi":"10.31261/pn.4028.10","DOIUrl":null,"url":null,"abstract":"Homosexuality and gender identity issues, although lately often thematized, are still marginalized in Croatian society. Nonetheless, these topics occur as key concepts within which dramatic conflicts and characters are evolving. The two plays which will be analyzed were awarded with Marin Držić award for the best drama text and were staged in two Croatian theaters – ZKM and Kerempuh. The interpersonal relationships within one family and people close to the family members are on display in Tomislav Zajec’s play Ono što nedostaje. The main focus is on the sixteen-year-old David, who, appart from finding a way to communicate with his parents, has to struggle with his sexuality and the desire to be accepted and loved. In terms of speech and physical act his inner struggle is the greatest dramatic conflict and resolution at the same time, so his homosexuality is not in the focus of the play. The second play Ja od jutra nisam stao by Una Vizek addresses the issue of gender identity in today’s society. The author of the play attributes female characteristics to men by taking into account social prejudices and expectations. Each character is indicated with a number and their replica exchange is the usual form of a female chatter. The aim of this research is to show which strategies are used by authors to show the marginalization of the mentioned social groups, how characters are starting a conversation or losing the right to speak but also how they are entering into a dramatic conflict.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"142 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31261/pn.4028.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
同性恋和性别认同问题虽然最近经常成为主题,但在克罗地亚社会仍然处于边缘地位。尽管如此,这些主题都是戏剧冲突和人物发展的关键概念。将被分析的两部戏剧被授予马林Držić最佳戏剧文本奖,并在克罗地亚的两个剧院- ZKM和Kerempuh上演。托米斯拉夫·扎耶克的戏剧《小野što nedostaje》展现了一个家庭内部的人际关系和家庭成员身边的人。故事的主要焦点是16岁的大卫,除了找到与父母沟通的方法外,他还必须与自己的性取向和被接受和被爱的愿望作斗争。在言语和肢体动作上,他内心的挣扎同时是最大的戏剧冲突和解决,所以他的同性恋并不是戏剧的重点。Una Vizek的第二部戏剧《Ja od jutra nisam stao》探讨了当今社会的性别认同问题。这部剧的作者考虑到社会偏见和期望,将女性特征赋予了男性。每个字符都用一个数字表示,他们的复制交换是女性聊天的通常形式。这项研究的目的是显示作者使用了哪些策略来显示所提到的社会群体的边缘化,角色是如何开始对话或失去说话的权利,以及他们是如何进入戏剧冲突的。
Homoseksualnost i rodni identitet u suvremenoj hrvatskoj drami
Homosexuality and gender identity issues, although lately often thematized, are still marginalized in Croatian society. Nonetheless, these topics occur as key concepts within which dramatic conflicts and characters are evolving. The two plays which will be analyzed were awarded with Marin Držić award for the best drama text and were staged in two Croatian theaters – ZKM and Kerempuh. The interpersonal relationships within one family and people close to the family members are on display in Tomislav Zajec’s play Ono što nedostaje. The main focus is on the sixteen-year-old David, who, appart from finding a way to communicate with his parents, has to struggle with his sexuality and the desire to be accepted and loved. In terms of speech and physical act his inner struggle is the greatest dramatic conflict and resolution at the same time, so his homosexuality is not in the focus of the play. The second play Ja od jutra nisam stao by Una Vizek addresses the issue of gender identity in today’s society. The author of the play attributes female characteristics to men by taking into account social prejudices and expectations. Each character is indicated with a number and their replica exchange is the usual form of a female chatter. The aim of this research is to show which strategies are used by authors to show the marginalization of the mentioned social groups, how characters are starting a conversation or losing the right to speak but also how they are entering into a dramatic conflict.