协同音乐现场编码中的轮询与聊天

Anna Xambó, Pratik Shah, Gerard Roma, Jason Freeman, Brian Magerko
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引用次数: 7

摘要

协同现场编码是网络音乐和被称为现场编码的音乐即兴实践的潜在方法。支持现场编码员和观众之间通信的常见策略是使用聊天窗口。然而,关注同时进行的多用户操作(如聊天文本和代码)可能要求太高而无法遵循。在本文中,我们探索协作音乐现场编码(CMLC)使用现场编码环境和教学工具EarSketch。特别地,我们研究了由结对编程实践启发的轮流和自定义聊天窗口的使用,结对编程是一种基于团队的策略,可以有效地解决计算问题。我们的CMLC方法还旨在促进受众对这一实践的理解。最后,我们讨论了这种方法在表现和教育环境中的好处。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Turn-Taking and Chatting in Collaborative Music Live Coding
Co-located collaborative live coding is a potential approach to network music and to the music improvisation practice known as live coding. A common strategy to support communication between live coders and the audience is the use of a chat window. However, paying attention to simultaneous multi-user actions, such as chat texts and code, can be too demanding to follow. In this paper, we explore collaborative music live coding (CMLC) using the live coding environment and pedagogical tool EarSketch. In particular, we examine the use of turn-taking and a customized chat window inspired by the practice of pair programming, a team-based strategy to efficiently solving computational problems. Our approach to CMLC also aims at facilitating the understanding of this practice to the audience. We conclude discussing the benefits of this approach in both performance and educational settings.
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