{"title":"《欢乐之盒》和《纳尼亚传奇","authors":"Alice Spencer","doi":"10.7358/LING-2021-001-SPEN","DOIUrl":null,"url":null,"abstract":"The present paper will consider the influence of Masefield’s The Box of Delights on Lewis’ Chronicles of Narnia. Lewis himself openly acknowledged his admiration for and indebtedness to Masefield’s work, and the influence of the earlier novel is clearly evident on several occasions in the Chronicles. However, certain key differences in the two authors’ handling of similar themes and motifs reveal fundamental divergences in their attitudes to childhood and their vision of the function of children’s literature.","PeriodicalId":302041,"journal":{"name":"Linguæ & - Rivista di lingue e culture moderne","volume":"208 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Box of Delights and The Chronicles of Narnia\",\"authors\":\"Alice Spencer\",\"doi\":\"10.7358/LING-2021-001-SPEN\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present paper will consider the influence of Masefield’s The Box of Delights on Lewis’ Chronicles of Narnia. Lewis himself openly acknowledged his admiration for and indebtedness to Masefield’s work, and the influence of the earlier novel is clearly evident on several occasions in the Chronicles. However, certain key differences in the two authors’ handling of similar themes and motifs reveal fundamental divergences in their attitudes to childhood and their vision of the function of children’s literature.\",\"PeriodicalId\":302041,\"journal\":{\"name\":\"Linguæ & - Rivista di lingue e culture moderne\",\"volume\":\"208 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Linguæ & - Rivista di lingue e culture moderne\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7358/LING-2021-001-SPEN\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Linguæ & - Rivista di lingue e culture moderne","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7358/LING-2021-001-SPEN","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The present paper will consider the influence of Masefield’s The Box of Delights on Lewis’ Chronicles of Narnia. Lewis himself openly acknowledged his admiration for and indebtedness to Masefield’s work, and the influence of the earlier novel is clearly evident on several occasions in the Chronicles. However, certain key differences in the two authors’ handling of similar themes and motifs reveal fundamental divergences in their attitudes to childhood and their vision of the function of children’s literature.
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