肯尼亚早期小说中的基督教:Ngugi Wa Thiong 'o的《不要哭泣》、《孩子》和《之间的河》

G. Siundu, B. Wegesa
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引用次数: 7

摘要

Ngugi Wa Thiong'o小说的一个主要特点是他对基督徒和基督教的表现方式,往好了说,他们对大多数人的困境漠不关心,往坏了说,他们是对大多数人进行制度化剥削、羞辱和非人化的帮凶。Ngugi对基督教失去耐心的部分原因可能同样在于,他童年时作为殖民地臣民的经历,被迫承认基督教等同于西方文明,以及他后来遇到的马克思主义思想,将宗教与对大多数人的系统化经济剥削联系在一起。然而,作为一种精神组织的模式,基督教无疑在塑造过去和现在的个人和群体身份方面发挥了重要作用,这与现有的权力结构有关,这可能就是为什么Ngugi在叙述他的人民的经历时,不给它分配一个相当大的空间。有鉴于此,我们读这两部小说时,认为作者试图将基督教在被殖民主体中造成的创伤和紧张关系,作为(后)殖民肯尼亚主体形成和发展的重要影响。关键词:Ngugi Wa Thiong'o;基督教;后殖民;
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Christianity in Early Kenyan Novels: Ngugi Wa Thiong’o’s Weep Not, Child and The River Between
A dominant feature in the novels of Ngugi Wa Thiong'o is the way he presents Christians and Christianity, at best as indifferent to the plight of the majority of the people, and at worst as accomplices in institutionalized exploitation, humiliation and dehumanization of the greater majority. Parts of the explanation for Ngugi's impatience with Christianity lie, perhaps equally, in his childhood experiences as a colonial subject who was coerced into recognizing Christianity as equivalent to Western civilization, as well as his later encounter with Marxist thought that associated religion with the systematized economic exploitation of the majority of people. Yet as a model of spiritual organization, Christianity has no doubt played an important role in fashioning past and present individual and group identities with regard to existing structures of power, which is probably why Ngugi is unable to narrate the experiences of his people without allocating a remarkably large space to it. In light of this, we read the two novels as attempts by the writer to project the trauma caused by and the tensions of Christianity among the colonized subjects as important influences in the formation and development of (post)colonial Kenyan subjects. Key Words : Ngugi Wa  Thiong'o, Christianity, postcolonial, subjects.
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