罗马尼亚展览中的社会主义经验:展示、隐形和参与的伦理含义

Maria Cristache
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引用次数: 0

摘要

“自1994年人民之家向游客开放以来,罗马尼亚社会主义时期的物质和非物质遗产的代表性不断增加和多样化。从食物、住房、娱乐到Ceaușescu夫妇的生活方式,关注社会主义下生活的各个方面的永久和临时展览在2010年代蓬勃发展。在这篇文章中,我通过展示与消费、休闲和家庭生活相关的物品,以及围绕与社会主义相关的物质文化和空间组织互动体验,研究了展览代表社会主义过去的不同方式。讨论的主要问题是:这些展览代表了谁对社会主义时期的看法和经验?这些展览以什么直接和间接的方式进行政治评论?这些体验中强大的互动成分引发了哪些道德问题?为了回答这些问题,我将看看2010年以后开放的四个展览:布加勒斯特的Casa Ceaușescu (Ceaușescu大厦)和80east, Timișoara的Muzeul Consumatorului Communist(共产主义消费者博物馆)和Brașov的Muzeul Traiului n Communism(共产主义生活博物馆)。我的分析是基于对1989年以来社会主义在博物馆中的表现的研究、对博物馆伦理责任的反思以及它们所产生的政治评论。基于对展览的分析和对这些倡议的创始人的采访,我讨论了空间的维度和表现的问题,作为真实性来源的互动成分及其与信任的关系,以及这些展览的政治相关性和地位。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Experiences of Socialism in Romanian Exhibitions: Ethical Implications of Display, Invisibility, and Engagement
"The representation of tangible and intangible heritage from the socialist period in Romania has increased and diversified since the House of the People opened for visitors in 1994. Permanent and temporary exhibitions focused on various aspects of life under socialism—from food, housing, and entertainment to the lifestyle of the Ceaușescu couple—have flourished especially in the 2010s. In this article, I examine the different ways in which exhibitions represent the socialist past by displaying objects linked to consumption, leisure, and domesticity and by organizing interactive experiences around the material culture and spaces associated with socialism. The main questions addressed are: Whose perspectives and experiences of the socialist period do these exhibitions represent? What are the direct and indirect ways in which these exhibitions make political commentaries? What are the ethical issues raised by the strong interactive component of some of these experiences? In order to answer these questions, I will look at four exhibitions opened after 2010: Casa Ceaușescu (Ceaușescu Mansion) and 80east in Bucharest, Muzeul Consumatorului Comunist (Museum of the Communist Consumer) in Timișoara, and Muzeul Traiului în Comunism (Museum of Living in Communism) in Brașov. My analysis is informed by research on the representation of socialism in museums since 1989, by reflections on the ethical responsibility of museums and on the political commentary they generate. Based on the analysis of the exhibitions and on interviews with the founders of these initiatives, I discuss the dimension of space and issues of representation, the interactive component as a source of authenticity and its relation with trust, and the political relevance and position of these exhibitions."
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